every tongue confess at Arena Stage
On the surface, Marcus Gardley has written with every tongue confess a kind of Southern fairy tale about hatred and racism and rejection in this world premiere play christening Arena Stage’s new Arlene and Robert Kogod Cradle. It’s an emotionally difficult work that guards itself against obvious message or sympathy. Evil is as complicated as good, and understanding either requires a powerful imagination or complete and utter faith. It is, without question, a strongly devised piece of theater that can be admired for its creator’s understanding of what it is to write an intelligent and thought-provoking work. And Phylicia Rashad is magnetic, just one of several gripping performances. To Jan. 2. Mead Center for American Theater, 1101 6th St. SW. Tickets are $40 and up. Call 202-488-3300 or visit arenastage.org.
Read Tom Avila’s full review here.
Support Metro Weekly’s Journalism
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
every tongue confess at Arena Stage
On the surface, Marcus Gardley has written a kind of Southern fairy tale about hatred and racism and rejection in every tongue confess, the world premiere of which is christening Arena Stage’s new Arlene and Robert Kogod Cradle. It’s an emotionally difficult work that guards itself against obvious message or sympathy. Evil is as complicated as good, and understanding either requires a powerful imagination or complete and utter faith. It is, without question, a strongly devised piece of theater that can be admired for its creator’s understanding of what it is to write an intelligent and thought-provoking work. And Phylicia Rashad is magnetic, just one of several gripping performances. To Jan. 2. Mead Center for American Theater, 1101 6th St. SW. Tickets are $40 and up. Call 202-488-3300 or visit arenastage.org.
Read Tom Avila’s full review here.
Support Metro Weekly’s Journalism
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
