Madonna’s Rebel Heart Tour (first night) – Photo: Kevin Mazur for WireImage/Getty
“I still believe in love — even if Barack Obama didn’t come to my show,” Madonna teased near the end of Saturday night’s concert at the Verizon Center. “Maybe I’m too provocative.” Like all her tours, Rebel Heart had its fair share of provocation, chiefly through repeated sacrilegious references to God and Catholic iconography.
But that’s always been Madonna’s cross to bear (and her bread and butter). This time out it was confined to the opening numbers. If you could look past it, as well as her overuse of war and violent imagery (Madonna is seemingly forever fighting someone, from God and Gaga to Guy and the media), you probably left charmed by the evening.
The Rebel Heart Tour finds Madonna at her happiest and most personable, and also in her best voice. In past tours she seemed to be performing on auto-pilot, but not on Saturday.
Edgy and sassy and unapologetic, Madonna once again proved her predominance in pop performance. It doesn’t matter if you don’t like her new album, even though it accounted for nearly half of the two-hour set. The truth is, few others working in pop today put on such a compelling and sensory-rich, top-notch theatrical production from beginning to end. Madonna makes her concerts feel like celebrations.
Near the concert’s end, Madonna settled, with a guitar, on a raised platform and sang the French classic, “La Vie En Rose” — which she dedicated to Obama — as if she were a bona fide chanteuse. “Everybody sing along!” she cooed playfully. She didn’t need the audience assist, as she perfectly conveyed the emotions of the song. It was just one example of how significantly Madonna’s musicality has improved over the years, even if her music has not.
Classic tales with Hollywood heavy hitters dominate Broadway marquees this spring, along with two musicals about corpses, two other tuners with Latin flair, a beloved animated book character come to life, a singing cave dweller, a show based on a show, a family drama on politics, and a new twist on a Gilbert and Sullivan classic. In all, eighteen shows will open on Broadway before the end of April, and with such an eclectic season, there's a seat waiting for you, whatever your interest.
Purpose -- Cozy up to the dinner table, pass the grub, and watch the sparks fly with the Jaspers, a well-heeled Black family with political clout and lots of secrets. Phylicia Rashad directs the New York transfer of Chicago's Steppenwolf theater production, written by one of the hottest playwrights of the moment, Brandon Jacobs-Jenkins, who brought us last year's Tony-winning Appropriate. Runs through July 6.
“I was talking to a couple of homosexuals down in Melbourne, and they were talking to me about listening to Kylie,” John Grant says rather gleefully, clearly relishing this anecdote from his recent tour of Australia. “And I was like, ‘She came and guested at my show at Royal Albert Hall, and came on stage during ‘Glacier.’” The Aussies’ response? “They were just looking at me like I had two heads on my shoulders. They were looking at me like a German Shepherd hearing a weird noise.
“It was really hilarious,” he continues, “because it was just as epic for me as it was for them hearing that.”
For true fans of live music, and the whole concert-going and festival-going experience, Spring 2025 in the DMV is shaping up to be a banner season. And for those who're also fans of queer music and of seeing LGBTQ performers live in concert? Well, we're about to experience a real embarrassment of riches in that regard. And no, not just because of all those coming to town for WorldPride 2025. In fact, the number of out artists stopping through the area both before and after Pride this year is impressive.
Melissa Etheridge is one. Bob Mould another. Also due to visit is Allison Russell, John Grant, Rahsaan Patterson, Halsey, and Lucy Dacus. Not to mention Kylie Minogue, who's got local gay hearts beating padam padam for sure. Down the road, once Pride is a wrap, it'll be Ty Herndon's turn. Also Brandy Clark's. The Indigo Girls, Pink Martini, Laura Jane Grace will all also follow suit. Oh, and Cyndi Lauper will also return to have a little more fun -- and say farewell one more time, after time.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
You must be logged in to post a comment.