“D.C. is one of the best markets for fine crafts in the country,” says Richard Rothbard of American Art Marketing. And that market is well-served by several renowned annual events — from the Smithsonian Craft Show and the Northern Virginia Fine Arts Festival in the spring, to the Washington Craft Show at the Convention Center in the fall.
When the latter show’s producer retired after last year’s 27th edition, the New York-based Rothbard seized on the opportunity. “That show had acquired quite the stature in the industry,” says Rothbard, who this weekend launches the D.C. edition of his American Fine Craft Show. The show will take place for three days where over 190 exhibitors will present their wares, including, “a large number of the exhibitors that were in [the Washington Craft Show] who were very, very upset that it was going away,” says Rothbard.
The American Fine Craft Show is intended to serve a wider — and younger — audience than the one it replaces. “This is very nice, but I can’t afford anything,” Rothbard heard “over and over again” about the Washington Craft Show. “I’m bringing in a lot of great work that’s much more affordable. Things that people can purchase for holiday shopping as well as be able to look at something and say, ‘gee, I could buy that’. We have a lot of affordable, fun and high-quality work.”
The American Fine Craft Show features artisans who are among the best in their fields in furniture-making, woodwork, ceramics, glassware, leather and metal goods, painting, jewelry and other wearable and decorative art. The artists come from across the United States and Canada, and many have not previously exhibited in the D.C. area. All of it takes place at the DC Armory near RFK Stadium, on the Blue-Orange-Silver Metro Line. “It’s a beautiful space inside,” he says, noting the feel is almost museum-like in tone.
Rothbard, who got his start in the business as a furniture maker in Manhattan, eventually began to make original, collectible wood boxes that he would sell at craft shows around the country. He eventually opened An American Craftsman, a small chain of galleries in New York. He’ll be one of the exhibitors on hand at this weekend’s show, displaying his line of rustic yet elegant handcrafted boxes, many of which play on themes of poetry, psychology or philosophy, often expressed in the form of a story or a puzzle, with removable, nesting parts.
The Washington show is affiliated with the National Museum of Women in the Arts, and a portion of the admission and Friday afternoon sales will go to the storied museum, which has also inspired Rothbard to start an annual recognition: Craftswoman of the Year. The debut honoree is Susan Gott, who teaches glassblowing in Tampa, Fla., and is known for her large sculptural works. “Some of them weigh thousands of pounds,” he says. “She does amazing things with glass. There’s no one quite like her.”
Rothbard promises Gott’s booth will be one of the most spectacular, but there will be plenty of other stunning works on display. Throughout the day, artists will talk and answer questions about their works and careers and there will even be fashion models sporting the show’s jewelry strolling the floor. “It’s all to make the show a little bit more fun, a little bit more interesting,” says Rothbard.
When asked to pick a particular artist or work to highlight, he stops at Gott. “That’s an almost impossible question to answer,” he says. “We have some of the top glassblowers and furniture makers, amazing clothing and jewelry. I think it’s a matter of taste. Pretty much anybody can come to our show and find something they want to own.”
The American Fine Craft Show Washington takes place Friday, Oct. 23, from 2 to 8 p.m., Saturday, Oct. 24, from 10 a.m. to 6 p.m., and Sunday, Oct. 25, from 10 a.m. to 5 p.m., at the DC Armory, 2001 East Capitol St. SE. Tickets are $22 for Friday’s First Look event, or $14 per day Saturday and Sunday, $16 for a weekend pass. Call 202-271-1171 or visit AmericanFineCraftShowDC.com.
Sometimes, a book or movie or play speaks so directly to the zeitgeist, it's as if the artists are responding in real-time to a conversation we're all having. That's the case with John Leguizamo's The Other Americans, currently in its world-premiere run at Arena Stage. In the aftermath of the presidential election, amid feverish appraisals of Latino voters' support for Trump, this modern-day tragedy about a Queens Latino family fraying at the edges arrives at a moment of perfect relevance.
Offering insight into the struggles of son-of-an-immigrant laundromat owner Nelson Castro -- portrayed by Leguizamo, whose own family immigrated to the U.S. from Colombia when he was three -- the play also tackles everything from mental health to housing discrimination.
The year is 1977. Francis Ford Coppola is in the Philippines jungle, besieged by reports of ballooning budgets, on-set chaos, and unwieldy ambition as he toils to make his long-gestating passion project, Apocalypse Now.
The year is 1981. Coppola is shooting on the soundstages of Zoetrope Studios, besieged by reports of ballooning budgets, on-set chaos, and unwieldy ambition as he toils to make his long-gestating passion project, One from the Heart.
The year is 2023. Coppola is at a production studio in Georgia, besieged by reports of ballooning budgets, on-set chaos, and unwieldy ambition as he toils to make his long-gestating passion project, Megalopolis.
Forest Hills is alive with the sounds of salsa, disco, and '70s soul inside the Castro household, ground zero for the devastating domestic events of John Leguizamo's new drama The Other Americans.
One of seven world premieres marking Arena Stage's 2024-25 season, The Other Americans arrives in a powerhouse production directed by award-winning actor-director Ruben Santiago-Hudson, and led by Leguizamo as proudly Colombian-American laundromat owner and family man Nelson Castro.
Nelson holds court in his expansive home in affluent, mostly white Forest Hills, Queens, having moved his family from what he calls "ghetto-ass" Jackson Heights. A scrappy business owner with a small empire of 'mats all over the borough, he might say he's living the American dream, but we're here to witness him waking up to very harsh reality.
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