“The Kennedy Center is my favorite place to work in the U.S.,” crows Randy Graff. “Two of the most meaningful shows in my professional life happened there and the Opera House is where it all began for me as a musical theater actor.” The year was 1986, with the pre-Broadway American premiere of Les Miserables. And Graff played the pivotal role of Fantine, whose “I Dreamed a Dream” is one of the musical’s biggest, most heartbreaking, showstoppers. The second moment came sixteen years later, in 2002, with A Little Night Music, the closing production of the Sondheim Celebration festival, in which Graff played Charlotte.
Graff’s one-woman cabaret, Made in Brooklyn, will include a nod to her KenCen roots. “I am singing ‘I Dreamed a Dream,'” she notes, in honor of Les Miz. But the October 30 appearance — her fifth in the venue — is mainly a tribute to the place where she spent her childhood.
“It’s the story of me growing up in Brooklyn, singing on street corners and eventually getting to Broadway,” she says. “Every song I sing was either written or made famous by a Brooklynite — foremost Barbra Streisand, but so many composers, lyricists and movie stars.”
Graff has appeared in countless hits on the Great White Way, including 1989’s City of Angels, for which she won a Tony, 1992’s Falsettos and revivals of A Class Act and Fiddler on the Roof. Through it all, she’s noticed her “very large gay fanbase” is among the most engaged.
“They’re the most accepting — perhaps that comes from living their own self-acceptance,” she says. “No matter what I do — I could fall on my face, I could crack on a high note, whatever I do, they’re just with me for the ride. I just so appreciate it.”
Randy Graff performs as part of the Barbara Cook Spotlight series on Friday, Oct. 30, at 7 p.m., at the Kennedy Center Terrace Theater. Tickets are $50. Call 202-467-4600 or visit kennedy-center.org.
"This is a joy bomb!" exclaims Christopher Gattelli. "You can't stop smiling and laughing while you're watching this show!"
That show is Schmigadoon! Not the streaming version that still resides in two glorious seasons on Apple TV+, but a brand-new stage adaptation of the first season of the romantic comedy that finds a couple struggling to regain the love in their relationship, suddenly trapped inside a musical where corn puddin' is the breakfast du jour. The show makes its World Premiere this weekend as part of the Kennedy Center's consistently magnificent Broadway Center Stage series.
Not for anything I've said over the course of our lively hour-long phone interview one recent Saturday, but for this magazine's past transgressions.
This issue, you see, marks Cho's fourth appearance on a Metro Weekly cover in three decades, and I'm sheepishly begging forgiveness for how we handled the previous headlines, bastardizing her last name for the sake of a pun.
"Cho-Zen."
"On With the Cho."
"Cho Girl."
"It's all good," she laughs, taking it in stride. One thing about Margaret Cho is that she doesn't offend easily, if at all.
The Kennedy Center's Broadway Center Stage continues its hot streak with the World Premiere production of Schmigadoon!, a rousing musical stage adaptation of the Emmy-winning Apple TV series.
Series co-creator Cinco Paul, who wrote all the songs for the two seasons of the loving sendup of musicals, also wrote the book, music, and lyrics translating Schmigadoon! from TV to stage. Condensing season one of the series into a robust two acts, Paul provides the streamlined vessel, and director-choreographer Christopher Gattelli (Death Becomes Her) expertly steers it to the magical town of Schmigadoon and back.
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