By Randy Shulman on February 11, 2016 @RandyShulman

Joel Grey and Alan Cumming have a surprising amount in common.
Both are part of the LGBT community, though Grey is a more recent addition, having publicly come out last January.
Both own small dogs — Grey, a Chihauhua named Nicky and Cumming, a Chihuahua-Rat Terrier mix named Jerry.
Both have written memoirs. Cumming’s — Not My Father’s Son — was published in 2014 while Grey’s — Master of Ceremonies — reaches Amazon in a few weeks.
Both have found success on television. Grey has enjoyed almost 60 years of television appearances, including guest arcs on both Alias and Buffy the Vampire Slayer, while Cumming has brought to life, with brilliant, vivid nuance, the Emmy-nominated role of Eli Gold on CBS hit The Good Wife.
Both have had astonishing stage careers. Grey originated the role of The Wizard of Oz in Wicked and Amos Hart in Chicago, while Cumming has played in everything from Hamlet to Bent to The Threepenny Opera. But their Broadway link lies with Kander and Ebb’s classic Cabaret: Each won a Tony Award for playing The Emcee. Grey originated the showy — and show-stopping — part in the original Broadway production in the ’60s (and later in the 1972 film, for which he took home an Oscar). Years later, in 1998, Cumming won a Tony for darker, more sexualized take on the part.
And both are coming to our city: Cumming, 51, will be at Strathmore on Valentine’s Day — Sunday, Feb. 14 — with his critically heralded cabaret, Alan Cumming Sings Sappy Songs, while the 83-year-old Grey will settle into the Historic Sixth & I Synagogue on Feb. 23, for an in-depth conversation about his book, his life, and his remarkable career.
Could you wish for a more perfect pairing?
By André Hereford on October 24, 2026 @here4andre
The still-fresh D.C. theater season has already produced a few must-see shows, but one in particular seems to be on the lips of theater fans everywhere I go these days. “Have you seen Merrily We Roll Along?” was a recurring question on one recent non-theater-related occasion.
Yes, in fact, we’re featuring the show’s “Charley Kringas” on the cover. “That’s Jake Loewenthal? I’m seeing it next week. I can’t wait.” True story.
Word of mouth is undeniable, and, in this case, a strong testament to enthusiasm for Matthew Gardiner’s penetrating production of the Stephen Sondheim reverse-order musical. Naming the actor based on the role is also a noteworthy sign of how well Loewenthal has established himself among theatergoers and theater creators, in the District’s thriving scene.
By Warren Rogers on October 8, 2026
Spoiler Alert: This recap reveals events from Episode 5 of The Traitors: New Blood.
When we last left off, Jay was about to do his big one, and by that I mean finally provide some sort of clarity as to where his boundless suspicion lies. He’s a body language expert after all, right? Don’t make me roll my eyes.
However, I’ll give credit where credit is due because his accusation did happen to be right on the money. Jay accuses Katie (and Kristie tangentially) at the roundtable. Now the problem is his evidence is a little weak, and considering the two people he’s accusing are some of the most vocal against his obnoxious Faithful antics, it's not really a good look.
By Warren Rogers on October 15, 2026
Spoiler Alert: This recap reveals events from Episode 6 of The Traitors: New Blood.
We'd previously left the Scottish Highlands with three Faithfuls and a Traitor buried in shallow but deadly graves. Between Niyyah, Mark, and Clyde, someone caught Joe's "poison apple" and, before Alan can announce to the living which underground Faithful will be leaving their ranks, Joe decides he'd rather let the victim know himself.
He tells Niyyah her fate, ashamed of this choice. I have a feeling he really wanted to get Mark out, but alas, this so-called "murder of necessity" ends with Tomica's number one ally on the chopping block. This is sure to test the bonds of the Traitors who, at this point, have had a shocking lack of internal drama. Niyyah clocks this obvious attempt at Joe clearing his conscience, and it's especially regrettable to see her go, considering she didn't even catch the apple on her first try.
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