I’m a Trans woman from New York City who has lived in D.C. the past 19 years. I never felt you were a serious candidate for POTUS. So, initially, I didn’t pay it much attention. I should have. I never disliked or despised you. But you were always in the center of some tabloid fodder.
Coming of age in the early ’90s, I recall you being critical of President Clinton for not making LGBT rights easy in the workplace. You said you didn’t care what someone was, as long as they did a good job. You defended an outed Canadian Trans contestant in one of your pageants a few years back. And you even commented that the “bathroom bills” were a joke at a press conference with your family.
Pardon my impoliteness, but you have diarrhea of the mouth. And I’m not sure I trust your decisions. Your cabinet appointees are a joke — literally looking like a rogue’s gallery. I truly worry about war and international relations. I worry about my international friends who live in the states, both documented and undocumented, and I worry about the rights of minorities, who as a group are quickly becoming the majority.
I try to see the good in you. But you’ve thrown your ridiculous choice for VP under the bus to cover for your antics. And you have used your wife to do the same. (If your “record” repeats itself, will she still be your wife in four years?)
I’m asking you to think before you talk, and to get the hell off Twitter. You’ve made this country a joke. We’re the laughing stock of the world.
I know you’re a smart man, but you have no filter. And that’s your weakness. Can you keep America great? I don’t think it’s broken. Listen to experienced politicians from all the parties, and change your cabinet. We shouldn’t be working against each other — we need to work together to keep this country great.
Everything is so black and white with you. You can’t treat policies and politics like you treat Rosie O’Donnell. This isn’t a tabloid paper anymore — welcome to the real world. The joke is over, and the jokes will be on you.
The opinions expressed in these letters are those of the individual authors and do not necessarily reflect the views of their organizations and this magazine, its staff and contributors.
Federal agencies under the Trump administration have flagged hundreds of words to avoid in official government memos, public-facing websites, and informational materials.
Government agencies are seeking to comply with a President Trump executive order seeking to rid the government of diversity, equity and inclusion (DEI) practices, and any programs or initiatives that conservatives decry as "woke," including those that focus on racial and cultural identity, LGBTQ identity, and the idea of "equity" rather than equality.
The list appeared in government memos and agency guidance, ordering the removal of the words from government websites, internal communications, and from written or printed materials.
The U.S. Air Force is rescinding a ban on including preferred pronouns in email signatures and other communications. The military branch announced the change in a news release.
The reversal was signed by Acting Assistant Secretary of the Air Force for Manpower and Reserve Affairs Gwendolyn DeFilippi.
The earlier directive, signed by Defense Secretary Pete Hegseth, was issued on January 31 to comply with an executive order issued by President Donald Trump stating that the United States government will only recognize two sexes -- male and female -- as legitimate.
Classic tales with Hollywood heavy hitters dominate Broadway marquees this spring, along with two musicals about corpses, two other tuners with Latin flair, a beloved animated book character come to life, a singing cave dweller, a show based on a show, a family drama on politics, and a new twist on a Gilbert and Sullivan classic. In all, eighteen shows will open on Broadway before the end of April, and with such an eclectic season, there's a seat waiting for you, whatever your interest.
Purpose -- Cozy up to the dinner table, pass the grub, and watch the sparks fly with the Jaspers, a well-heeled Black family with political clout and lots of secrets. Phylicia Rashad directs the New York transfer of Chicago's Steppenwolf theater production, written by one of the hottest playwrights of the moment, Brandon Jacobs-Jenkins, who brought us last year's Tony-winning Appropriate. Runs through July 6.
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