“You’ve got this tiny box. Then you’ve got sound equipment, and you got lights hanging from the top. You’ve got huge numbers of [singers] and an orchestra. You’ve got a dance stage that is probably about four feet deep and goes all the way across the theater. So the actual space you have is very, very small. The big challenge is how do you make some kind of presentation that is compelling, and warm, and echoes what’s being said when you don’t have much space.”
Such are the challenges faced by set designer J. Gregory Barton, who, for the past several years, has been designing the Congressional Chorus‘s theatrically-inclined productions. For the group’s annual spring cabaret — this year entitled Road Trip! and featuring 80 singers and 20 dancers — he’s devised a clever setting that immerses the audience in the evening’s theme of traversing the country through song (“California Dreamin’,” “Georgia on My Mind,” “This Land is Your Land,” “Dust in the Wind,” because it’s by Kansas). To that end, the stage incorporates a “neon” sign from which “map lines” branch out and into the theater space itself, enveloping the audience in what Barton jokingly calls a “poor man’s laser show.”
“We’ve immersed the theater walls with states: big states, small ones, all recognizable,” he explains. “They encircle everyone on stage and in the audience. The audience is part of the production’s space. We show our connection to each state with a big map pin. Then we connect each state from one side of the theater to the other. We use black and yellow dashed cords that crisscross the theater connecting everything, to everyone else. The black of the cords blend with the black background of the theater and the dashes appear to zip untethered from one point to the other — just like dashes on a map course.”
The 55-year-old Barton, who hails from Oklahoma City (“we had a red barn, we raised rabbits and chickens, out in the middle of nowhere”), enjoys working with the Congressional Chorus, first established in 1987, and does it for the ability to connect culturally with the community.
“Theater design doesn’t pay,” says Barton, who runs the design firm BrittBarton. “You do it as an act of love. You try to take this little budget they have and try to cover expenses. Everybody else is a volunteer there, and a lot of our work is volunteer. They pay for some of our time and some of the installation but we really support them and believe in them. We stop counting hours early on.”
Road Trip! Tour The USA in our Cabaret runs through Thursday, March 16 to Sunday, March 19. Atlas Performing Arts Center, 1333 H St. NE. General admission tickets are $50. Reserved tables of six are available from $362 to $562. Visit CongressionalChorus.org.
Hard to believe, but WorldPride 2025 is almost upon us. It's sure to be a pride for the ages, with more -- a whole lot more -- than any before in our city's now 50-year history of Pride. Yet, denizens of D.C. and the National Capital Region have plenty of reasons to be prideful all season long, thanks to a steady and ever-flowing stream of LGBTQ and allied artists, authors, comedians, celebrities, drag acts, DJs, storytellers, and extraordinary entertainers galore.
THE ALDEN
McLean Community Center
1234 Ingleside Ave.
McLean, Va.
703-790-0123
www.mcleancenter.org
Platinum singer-songwriter Khalid, country music star Brooke Eden, and recording artist 2AM Ricky will perform as part of the WorldPride DC 2025 Closing Ceremony and Concert on Sunday, June 8.
The concert, which is free to attend, marks the finale for WorldPride festivities, which will be held in Washington, D.C. from May 17 to June 8.
The concert, which coincides with a street festival along Pennsylvania Avenue NW, is expected to draw hundreds of thousands of attendees. On stage, in between acts, the closing ceremony will include remarks by organizers and the official passing of the torch to the WorldPride host city for 2026, Amsterdam.
A robust fall/winter for dance in the DMV gives way to a lighter but still bountiful spring, with an impressive variety of utterly inviting events and performances to choose from -- from Decolonized Beatz Indigenous World Pride at Atlas Performing Arts, and international troupe Compañía Medusa exploring queer themes at Dance Place, to several collaborators melding tap dance with different genres of movement and music to keep us swinging all through the season.
ATLAS PERFORMING ARTS CENTER
1333 H St., NE
202-399-7993
www.atlasarts.org
Decolonized Beatz Indigenous World Pride -- Celebrating the work of Indigenous storytellers, organizers, and performers, the arts and performance series Decolonized Beatz brings Indigenous World Pride to Arena Stage (1101 6th St. NW) on May 30, and the next day to Atlas with music and dance performances, panel discussions, film screenings, a drag show featuring Lady Shug and Ritni Tears, and a closing dance party with beatz by DJ Rivolta Sata (6/1, Lang Theatre, free admission but registration required)
BALLETNOVA CENTER FOR DANCE
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