Come September, if all goes as planned, Manhattan will have a new gay bar. Well, not new, exactly, a reboot. But oh, what a reboot. The popular gay bar Eastern Bloc, situated in the lower East Village and co-owned by Anderson Cooper’s beau Benjamin Maisani, is taking the surname of a new incoming partner: Alan Cumming.
“We’re planning to change it a little bit so we can have a piano,” the award-winning performer says, quite ebulliently, of Club Cumming. “I want it to feel like anything could happen. Somebody might get up and sing a song…. Or we might just have a man come playing the theremin for an hour. Stuff like that. Try to think outside the box.”
Cumming wants the establishment to extend beyond gay moorings. “I want it to be an omnisexual bar. Obviously, I want gay people to come, but I want straight people, I want anyone who wants to have fun and let go and be non-judgmental. Come in with an open heart and be wanting to have fun.”
The Scottish-born actor, who became a household name after seven seasons on The Good Wife playing ambitious, crafty political operative Eli Gold on The Good Wife, holds an American citizenship, so when asked his views on the current administration, he doesn’t hold back.
“Well, I’m devastated,” he says. “I think it’s just terrifying. It’s just a mess. It’s embarrassing as well. I, as an American, am absolutely ashamed and embarrassed that this is what’s happening, and some of the decisions that are being made and the behavior — it’s just so awful.
“The thing that got me the other day was the company that makes the missiles that were sent to Syria, Trump has shares in. So, he actually made money off that missile attack! It’s just so corrupt, it’s so wrong. Every decision that’s made is based on greed.”
Alan Cumming Sings Sappy Songs is Saturday, April 29 at the Kennedy Center Concert Hall. Tickets are $29 to $99. Call 202-467-4600 or visit Kennedy-Center.org.
The fall looks primed to be a strong season of concerts by -- and appealing to -- the LGBTQ community. Among the highlights in the category of the well-known, consider Andy Bell (Lincoln), Jane Lynch (Strathmore), Renee Rapp (Merriweather), DOECHII (Anthem), and of course All Things Go (Merriweather). In the category of merely appealing, not gay per se, consider The Queens (Capital One Arena), Deborah Cox (Bethesda Theater), and Judith Hill (The Hamilton).
That barely scratches the surface. There's a lot of new -- or perhaps new to you -- queer artists out there, just waiting for you get into them including Katie Pruitt (Union Station, Rams Head), Rio Romeo (Songbyrd), Aaron Lee Tasjan (Jammin Java), Dixon Dallas (Union Stage).
If you need relief from these stressful and angst-ridden times, you're sure to find something to salve your soul in this section. If you crave a good laugh attack, for starters, look to the "Because They're Funny Comedy Festival," or seek out specific comedians and eccentrics known to get the job done, be it John Waters or Paula Poundstone (both coming to the Birchmere), or Jessica Kirson or Margaret Cho (coming to the Warner), or Leslie Jones, who will be at The Clarice later this winter. To name only five.
Of course, if you'd prefer to get serious and really contemplate and converse about our woeful state of affairs, you'll find plenty of ways to do that, as well. Start by consulting the lineup of noted authors coming to local bookstores and even a certain historic synagogue.
Little by little, year after year, from one season to the next, there have been some subtle yet certain shifts in programming among local classical music organizations -- in both good and not-so-good ways, depending on whether you like, say, holiday sing-alongs come Christmastime. If you do, well, good for you, but boo hoo for the rest of us, because that's definitely on the uptick this season, as in previous years. Similarly, if Halloween is more your jam, you're also in luck, because there's also been a slight increase in the number of eerily inspired, scary-themed shows.
There's also more diversity all around, and in multiple senses of the term -- from slightly more female composers with works being performed around town, to more genre- and boundary-pushing works and programs overall, to seemingly more out, LGBTQ-identified people in this particular genre.
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