Now in its 27th year, the Washington Jewish Film Festival presents traditional film screenings as well as related cultural and educational programs at six different theaters. Six films at this year’s festival are “Rated LGBTQ,” exploring sexuality, gender and identity on screen.
Cabaret, the hit 1972 adaptation of the stage musical classic starring Joel Grey and Liza Minnelli, which screens Sunday, May 21, at 7:30 p.m., at the Edlavitch DCJCC, and Saturday, May 27, at 12:30 p.m., at AFI Silver Theatre.
Family Commitments, an outrageously quirky comedy about a Jewish-Arab same-sex wedding, in its Mid-Atlantic Premiere Saturday, May 20, at 8:45 p.m. at Landmark E Street Cinema, and Saturday, May 27, at 6:30 p.m., at Edlavitch DCJCC.
In Between, Maysaloun Hamoud’s remarkable feature debut about three Arab-Israeli women sharing an apartment in the vibrant heart of Tel Aviv and struggling with contemporary and traditional pressures, which screens Wednesday, May 24, at 8:15 p.m., at Landmark E Street Cinema, and Sunday, May 28, at 1:45 p.m., at AFI Silver Theatre.
The Freedom to Marry, a riveting ride through history with Evan Wolfson and Mary Bonauto, who led the push for one of the most successful civil rights campaigns in modern history, screening on Sunday, May 21, at 5:15 p.m. at AFI Silver Theatre, and Wednesday, May 24, at 7:15 p.m., at Edlavitch DCJCC.
The Guys Next Door, a lyrical documentary about the bonds between a straight family and their gay neighbors, screening Sunday, May 21, at 6 p.m., at Landmark Bethesda Row Cinema, and Monday, May 22, at 6:15 p.m., at Landmark E Street Cinema.
Uncle Howard, a paean and an elegy to Aaron Brookner’s uncle and the film he made about his friend William S. Burroughs before his premature AIDS-related death, screening on Sunday, May 21, at 4:15 p.m., at Landmark Bethesda Row Cinema, and Monday, May 22, at 8:45 p.m., at Landmark E Street Cinema.
Masked attackers in Israel are reportedly using Grindr to lure and entrap members of the LGBTQ community to severely harm them.
According to reports, the assailants are creating fake profiles on the popular dating app and arranging meetings in remote locations in the city of Haifa.
The victims are then ambushed and reportedly stabbed with sharp weapons. A few assailants have attempted to carry out lynchings.
The Aguda, an LGBTQ task force, documented at least ten such incidents in recent months, reports the Jerusalem Post.
But some victims have chosen not to report the attacks, making it more difficult for police to track down and arrest offenders.
Not for anything I've said over the course of our lively hour-long phone interview one recent Saturday, but for this magazine's past transgressions.
This issue, you see, marks Cho's fourth appearance on a Metro Weekly cover in three decades, and I'm sheepishly begging forgiveness for how we handled the previous headlines, bastardizing her last name for the sake of a pun.
"Cho-Zen."
"On With the Cho."
"Cho Girl."
"It's all good," she laughs, taking it in stride. One thing about Margaret Cho is that she doesn't offend easily, if at all.
Rabbits, as well as other animals -- peacocks, hamsters, and cats -- dominate her work, which is typified by a vast range of emotions, from aggressive to melancholic to serene.
"I'm always going for some kind of loud sort of expression," she says. "My illustrations tend to be very suggestive or very erotic or very cute. It's always about some kind of sensual pleasure or dramatic pain."
A librarian by trade -- she currently works at the National Institute of Medicine -- Soltian nonetheless treats her art as a full-time vocation. Her online store, which describes her as a "crafter of indulgences," sells various items based on her works, including pendants, keychains, and even life-sized pillowcases featuring popular comic book characters, such as Nightwing, with whom she admits to being somewhat obsessed.
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