Now in its 27th year, the Washington Jewish Film Festival presents traditional film screenings as well as related cultural and educational programs at six different theaters. Six films at this year’s festival are “Rated LGBTQ,” exploring sexuality, gender and identity on screen.
Cabaret, the hit 1972 adaptation of the stage musical classic starring Joel Grey and Liza Minnelli, which screens Sunday, May 21, at 7:30 p.m., at the Edlavitch DCJCC, and Saturday, May 27, at 12:30 p.m., at AFI Silver Theatre.
Family Commitments, an outrageously quirky comedy about a Jewish-Arab same-sex wedding, in its Mid-Atlantic Premiere Saturday, May 20, at 8:45 p.m. at Landmark E Street Cinema, and Saturday, May 27, at 6:30 p.m., at Edlavitch DCJCC.
In Between, Maysaloun Hamoud’s remarkable feature debut about three Arab-Israeli women sharing an apartment in the vibrant heart of Tel Aviv and struggling with contemporary and traditional pressures, which screens Wednesday, May 24, at 8:15 p.m., at Landmark E Street Cinema, and Sunday, May 28, at 1:45 p.m., at AFI Silver Theatre.
The Freedom to Marry, a riveting ride through history with Evan Wolfson and Mary Bonauto, who led the push for one of the most successful civil rights campaigns in modern history, screening on Sunday, May 21, at 5:15 p.m. at AFI Silver Theatre, and Wednesday, May 24, at 7:15 p.m., at Edlavitch DCJCC.
The Guys Next Door, a lyrical documentary about the bonds between a straight family and their gay neighbors, screening Sunday, May 21, at 6 p.m., at Landmark Bethesda Row Cinema, and Monday, May 22, at 6:15 p.m., at Landmark E Street Cinema.
Uncle Howard, a paean and an elegy to Aaron Brookner’s uncle and the film he made about his friend William S. Burroughs before his premature AIDS-related death, screening on Sunday, May 21, at 4:15 p.m., at Landmark Bethesda Row Cinema, and Monday, May 22, at 8:45 p.m., at Landmark E Street Cinema.
Putting the v-a-i-n in vanity project, writer-director Steve Balderson's Sex Love Venice might set records for solipsism in a queer indie protagonist, a category with an epic list of contenders.
But the film's hero Michael (David Bateman), lovelorn in L.A., takes the cake among gay movie leads whose entire world is presented as a series of interactions centered solely around him and his search for romance.
To friends Liza (Suzanna Akins) and Dave (Zaramok Bachok), Michael expresses his frustration with his life of casual hookups, revealed in flash-cuts to frank nude scenes, usually depicting a lack of enjoyment in one party or the other.
A popular LGBTQ nightclub in Sacramento, California, is prohibiting patrons who wear MAGA-related attire from entering the establishment.
Badlands, in the city's Lavender Heights district, announced the policy on social media. Management claimed they were motivated to impose the ban after a patron wore a MAGA hat while in the bar, leading some patrons to complain that they were made to feel uncomfortable and unsafe.
"At Badlands Sacramento, we are committed to creating a space where the LGBTQ+ community and our allies feel safe, welcomed, and respected," TJ Bruce, the bar's owner, wrote in a social media post. "Recently, a guest entered the bar wearing MAGA attire, which led to some discomfort among patrons.
Defying the adage that the lady needs no introduction, Bruce David Klein’s captivating documentary Liza: A Truly Terrific Absolutely True Story extends a four-minute introduction to its larger-than-life subject Liza Minnelli before the film truly enters the breach, touching down on June 22, 1969, the day her mother Judy Garland died.
In the midst of the preamble performance clips -- presenting Liza as a gangly ingenue onstage with her mother, and as a superstar commanding the world’s stages on her own -- Klein runs amusing outtakes of Liza, present-day, sitting for interviews but not at all passively. Dressed in head-to-toe black, her trademark pixie cut topped by a newsboy cap, she commands the room tenaciously, directing the cameraman on how to shoot her.
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