Jason Barnes wants drag to be something more than entertainment.
“I want to talk about drag academically,” says the man behind the city’s coolest drag performer, Pussy Noir. “I want to put drag into performance art and really mold that aspect of it.”
To that end, he’s been extraordinarily successful. Last summer, Barnes was invited to perform at the Hirshhorn Museum for a major performance art-focused event. Meanwhile, the popular bar Trade has played host to packed crowds for Sissy That Tuesdays, Pussy Noir’s “one-man drag show” held every third Tuesday of the month.
Ropeburn — Photo courtesy of Gay Men’s Chorus of Washington DC
Barnes is a significant part of next Saturday’s “Ropeburn,” a new fall event from the Gay Men’s Chorus of Washington. Billed as “a celebration of the queer underground,” it kicks off the GMWC’s provocative, politically-charged “Make America Gay Again” season. The fundraiser features atypical chorus activities ranging from vogue dance battles, to fetish demonstrations, to a Tom-of-Finland fantasy live model display.
Members of the chorus will perform throughout the evening, as will Barnes, who, in addition to “whipping out the burlesque, the androgynous drag, and things like that,” will perform with local musician Rich Morel as the electro-punk duo, Sistr Mid9ight. The name pays tribute to David Bowie and Iggy Pop, who, in 1977, recorded a duet by that title.
“Rich and I have been working together for about three years,” says Barnes, a classically trained opera singer. “We spent a full year really getting to know each other and experimenting with sound and music, and recording as we go along. Last year we started performing live.” The primary focus of the partnership at the moment is on writing and recording. And in fact, RopeBurn is Sistr Mid9ight’s only live show currently on the books.
Pussy Noir has never been a character separate and distinct from Barnes. “When I started drag, I wanted to have an image that was not about covering and transforming the self, but rather revealing the self, which is why I wear such little clothing. The makeup…is to enhance the features of my face, not to change [it]. Pussy Noir is the most honest version of me. So that glamor, that freedom, that sexuality, that sensuality, comes off stage with me and comes home with me.”
Ropeburn is Saturday, Oct. 7, at 7 p.m., and is preceded at 6 p.m. with “The Ropeburn Panel: A Discussion on Kink and Ball History, Culture and Identity,” hosted by Rayceen Pendarvis. Dupont Underground, 1500 19th St. NW. Tickets are $75. Call 202-293-1548 or click here.
"There's been a long history between the Atlas and GMCW," says Jarrod Bennett. Indeed, the Atlas Performing Arts Center has repeatedly served as a host venue for the Gay Men's Chorus of Washington, the H Street institution proving to be an ideal venue for the chorus' intimate cabaret shows. The Atlas also partners with GMCW to co-host the free monthly "Sing Out: A Piano Bar and Open Mic." Says Bennett, "We provide the music, microphones, and pianists."
Bennett has been a singer with the chorus, often featured as a soloist in the group's various cabarets for 15 years. For nearly a decade, he's also served as GMCW's technical director. And in 2022, he took a job at the Atlas.
On Thursday, GALECA, the Society of LGBTQ Entertainment Critics, announced the winners of its 16th Dorian Film Awards, naming The Substance as 2024 Film of the Year.
The Substance star Demi Moore earned the award for Film Performance of the Year, overcoming stiff competition from lauded nominees like Adrien Brody in The Brutalist and Wicked’s Cynthia Erivo. Oscar front-runner Moore, who’s already picked up a Golden Globe for her performance in the Mubi release, was joined in the Dorian Awards winners’ circle by The Substance filmmaker Coralie Fargeat, named Director of the Year.
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