Jason Barnes wants drag to be something more than entertainment.
“I want to talk about drag academically,” says the man behind the city’s coolest drag performer, Pussy Noir. “I want to put drag into performance art and really mold that aspect of it.”
To that end, he’s been extraordinarily successful. Last summer, Barnes was invited to perform at the Hirshhorn Museum for a major performance art-focused event. Meanwhile, the popular bar Trade has played host to packed crowds for Sissy That Tuesdays, Pussy Noir’s “one-man drag show” held every third Tuesday of the month.
Ropeburn — Photo courtesy of Gay Men’s Chorus of Washington DC
Barnes is a significant part of next Saturday’s “Ropeburn,” a new fall event from the Gay Men’s Chorus of Washington. Billed as “a celebration of the queer underground,” it kicks off the GMWC’s provocative, politically-charged “Make America Gay Again” season. The fundraiser features atypical chorus activities ranging from vogue dance battles, to fetish demonstrations, to a Tom-of-Finland fantasy live model display.
Members of the chorus will perform throughout the evening, as will Barnes, who, in addition to “whipping out the burlesque, the androgynous drag, and things like that,” will perform with local musician Rich Morel as the electro-punk duo, Sistr Mid9ight. The name pays tribute to David Bowie and Iggy Pop, who, in 1977, recorded a duet by that title.
“Rich and I have been working together for about three years,” says Barnes, a classically trained opera singer. “We spent a full year really getting to know each other and experimenting with sound and music, and recording as we go along. Last year we started performing live.” The primary focus of the partnership at the moment is on writing and recording. And in fact, RopeBurn is Sistr Mid9ight’s only live show currently on the books.
Pussy Noir has never been a character separate and distinct from Barnes. “When I started drag, I wanted to have an image that was not about covering and transforming the self, but rather revealing the self, which is why I wear such little clothing. The makeup…is to enhance the features of my face, not to change [it]. Pussy Noir is the most honest version of me. So that glamor, that freedom, that sexuality, that sensuality, comes off stage with me and comes home with me.”
Ropeburn is Saturday, Oct. 7, at 7 p.m., and is preceded at 6 p.m. with “The Ropeburn Panel: A Discussion on Kink and Ball History, Culture and Identity,” hosted by Rayceen Pendarvis. Dupont Underground, 1500 19th St. NW. Tickets are $75. Call 202-293-1548 or click here.
When it comes to film awards like the Oscars or Golden Globes, there are winners and losers, but there are no snubs. No person or performance should expect or feel entitled to garner a prize, or even a nomination. Nothing's a sure thing.
We're reminded every year by those shady anonymous Oscar voters who stir the pot by leaking their ballots to trade magazines that the choices of awards-giving bodies are highly subjective, and not always based purely on merit.
In this year's Oscar race, two anonymous Academy members who shared their ballots with Variety revealed they didn't vote for Conclave's Ralph Fiennes for Best Actor, under the mistaken belief he already won an Oscar for Schindler's List (he didn't). Consequently, both voted instead for The Brutalist's Adrien Brody (who did win an Oscar for The Pianist).
"There's been a long history between the Atlas and GMCW," says Jarrod Bennett. Indeed, the Atlas Performing Arts Center has repeatedly served as a host venue for the Gay Men's Chorus of Washington, the H Street institution proving to be an ideal venue for the chorus' intimate cabaret shows. The Atlas also partners with GMCW to co-host the free monthly "Sing Out: A Piano Bar and Open Mic." Says Bennett, "We provide the music, microphones, and pianists."
Bennett has been a singer with the chorus, often featured as a soloist in the group's various cabarets for 15 years. For nearly a decade, he's also served as GMCW's technical director. And in 2022, he took a job at the Atlas.
The Spring-into-Summer offerings this year in the classical realm are as rich, diverse, and extensive as ever. There's even a WorldPride-affiliated event here and there, including a two-day festival that will close out May in surely the gayest way ever up at Strathmore. But don't think for a second that the Gay Men's Chorus of Washington is gonna take that lying down. In fact, for WorldPride, the organization's many choristers are planning to do a whole lot of popping up, all over the city, for two full weeks. And wouldn't you know it, they're even calling in reinforcements from all over the country.
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