Fathom Events returns the original monster horror flick to big screens, the 1933 classic featuring one of the most iconic creatures and remarkable special effects that forever changed the game. Fay Wray stars as the apple of the giant gorilla’s eye in the black-and-white drama directed by Merian C. Cooper and Ernest B. Schoedsack, with groundbreaking stop-motion animation by Willis O’Brien and a musical score by Max Steiner. Wednesday, March 15, at 1 and 4 p.m. Area theaters including Regal venues at Gallery Place (701 7th St. NW), Potomac Yards Stadium (3575 Jefferson Davis Highway), and Majestic Stadium (900 Ellsworth Dr., Silver Spring). Tickets are $15. Visit www.fathomevents.com.
Ada and the Engine: Avant Bard
ADA AND THE ENGINE
Playwright Lauren Gunderson (Shakespeare Theatre’s Peter Pan and Wendy) offers a whimsical and inspirational scientific history lesson about Ada Lovelace, best known as the only legitimate child of the poet Lord Byron and also as wife to Charles Babbage, called “the father of the computer.” In fact, Gunderson’s tale posits that Babbage may have invented the hardware, or “analytic engine” of the machine, but Lovelace is responsible for inventing “the language, the song, the soul of the thing, the programming.” Ada and the Engine rotates dates with Suddenly Last Summer. To April 5. Gunston Arts Center, Theater Two, 2700 South Lang St. Arlington. Tickets are $40. Call 703-418-4804 or visit www.wscavantbard.org.
A feminist, socialist cabaret artist who composes her own smart, catchy, genre-defying music, tours in support of the strong set Buck Up, the title track of which Rolling Stone Country has called “a bright, John Prine-worthy folk song about maintaining a bright disposition in dark times.” With natural appeal to Americana/folk fans, the New Orleans-based artist’s music is steeped in the American Songbook, making her worth seeking out for anyone with a penchant for jazz and pop and progressive politics. Chris Kasper opens. Friday, March 20. Doors at 6:30 p.m. The Hamilton, 600 14th St. NW. Tickets are $15 to $35. Call 202-787-1000 or visit www.thehamiltondc.com.
The OSYX
FXCK SXSW: A LOCAL SHOWCASE
Every year for a week in mid-March, local concert venues and the overall live music scene in D.C. becomes just a wee bit darker and quieter — just enough to make you remember that, indeed, the country’s biggest music festival is now getting underway in Austin. Well, every year until this year anyway. (Organizers last week canceled South By Southwest due to concerns about the spread of COVID-19.) But this year as in previous years, the Black Cat presents a special showcase of local acts, including The OSYX (pronounced “06”), a post-punk, all-female supergroup consisting of Erin Frisby, Ara Casey, Selena Benally, Robzie Trulove, and Maya Renfro, all of whom are also principals in This Could Go Boom!, a record label and presenting organization specifically geared to fellow “womxn and non-binary musicians.” The lineup also includes Too Free, the experimental, improvisational electronic pop trio of Awad Bilal, Don Godwin, and Carson Cox; and Nice Breeze, featuring the “abstract poet punks” Andy Fox, John Howard, and Martha Hamilton. Friday, March 13. Doors at 8 p.m. Black Cat, 1811 14th St. NW. Tickets are $12 to $15. Call 202-667-4490 or visit www.blackcatdc.com.
Every second Saturday of the month, the Anacostia location of Busboys and Poets plays host to a diverse open mike/burlesque event over brunch explicitly designed as a “#queer-affirming, #POC-centered, #femme-focused space.” Poetry & Pasties (@poetryandpasties on social media) is hosted by poet and sex educator Jennifer Eden, who identifies as a Black queer femme. Saturday, March 14, at 1 p.m. 2004 Martin Luther King Jr. Ave. SE. Call 202-889-1374 or visit www.busboysandpoets.com.
Hill Center — Khanh Nguyen
HILL CENTER GALLERIES: REGIONAL JURIED EXHIBITION
Over the years, this exhibition, featuring works in various mediums and subjects, has grown to include 85 artists from D.C., Virginia, and Maryland. This year’s juror is Myrtis Bedolla, owner of Baltimore’s Galerie Myrtis. Bedolla selected 94 pieces of original hanging work, in any medium, submitted by 85 artists, including Kasse Andrews-Weller, Olga Bauer, Katherine Becker, Julie Byrne, Sally Canzoneri, Sam Dixon, Sean Dudley, Christopher Fowler, Charles Gaynor, M. Alexander Gray, Tara Hamilton, Wan Lee, Joey Manlapaz,Khanh Nguyen, Felicia Reed, Robert Weinstein, and Alla Zareva. On display to April 18. At the Old Naval Hospital, 921 Pennsylvania Ave. SE. Call 202-549-4172 or visit www.HillCenterDC.org.
Hard to believe, but WorldPride 2025 is almost upon us. It's sure to be a pride for the ages, with more -- a whole lot more -- than any before in our city's now 50-year history of Pride. Yet, denizens of D.C. and the National Capital Region have plenty of reasons to be prideful all season long, thanks to a steady and ever-flowing stream of LGBTQ and allied artists, authors, comedians, celebrities, drag acts, DJs, storytellers, and extraordinary entertainers galore.
THE ALDEN
McLean Community Center
1234 Ingleside Ave.
McLean, Va.
703-790-0123
www.mcleancenter.org
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Arts & Entertainment
Bethesda Fine Arts Festival
Mosaic Theatre: cullud wattah
Signature Theatre: In the Heights
The Smithsonian Craft Show
Washington National Opera: The (R)evolution of Steve Jobs
Stages are alight this Spring with a deluge of exciting productions -- some starry, as in the case of The Shakespeare Theatre's Uncle Vanya featuring Hugh Bonneville, equally beloved in Downton Abbey and the joyous Paddington films.
The beauty of theater -- and in all these inventive, upcoming works -- is that it serves up various points of view with drama, wit, and intellect often concealed under the guise of boisterous entertainment. At its best, theater quenches our thirst for a deeper connection to our fellow human beings. At its worst, it's Cats. Still, theater sometimes gives you a musical moment that makes your spirits soar.
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