The Actors Fund and Doyle Auctioneers & Appraisers have teamed up for “an auction event without precedent,” featuring a diverse array of rare and one-of-a-kind memorabilia from stars of Hollywood, Broadway, and beyond. This “landmark live auction,” set for Wednesday, April 28, will allow collectors and fans around the world to participate digitally, with live online bidding through BidLive!
The Actors Fund, the nonprofit that serves as a “safety net” for workers in the performing arts and entertainment industry, has provided more than $20 million in emergency financial assistance to more than 15,800 performers nationwide during the first year of the pandemic.
To continue supporting those still sidelined by the pandemic, The Actors Fund will receive all proceeds from items sold at the auction as well as all proceeds from donations by the auction’s online viewers. Additionally, the organization will reap 100 percent of sales from auctioned items in a collection of donated goods specially curated by the auction’s third partner and driving force behind the event, stage and screen star Christine Baranski.
“I asked my friends and colleagues of stage and screen to lend support to this meaningful auction, and the response has been extraordinary,” Baranski says in an official release. “Our colleagues in the performing arts need our support during this incredibly difficult time of crisis. The Actors Fund has provided a much-needed lifeline to our industry, and their work is nothing short of miraculous. I know I’m excited to see what Dolly Parton, Cher, Julie Andrews, Bruce Springsteen, and over 20-plus incredible stage and screen legends are pulling out of their closet!”
Some of the many highlights up for bid include an autographed pair of black-and-brown boots that Lin-Manuel Miranda wore in Hamilton; iconic glasses from Elton John; the leather suit Alan Cumming wore when he won a Tony in 1998 for Cabaret; Bob Mackie dresses from Carol Burnett; an autographed, limited leather-bound copy of the Downton Abbey screenplay; original drawings by Oscar- and Tony-winning costume designer Cecil Beaton, including a hat design from My Fair Lady and an ensemble for Barbra Streisand’s character in On A Clear Day You Can See Forever; gowns Baranski wore to the Golden Globes, the Emmys, and the Kennedy Center Honors; and celebrated dresses worn over the past decade by Tina Fey, Bette Midler, and Glenn Close. –Doug Rule
The “Stage & Screen” Live Online Auction is Wednesday, April 28, starting at 10 a.m. Visit www.doyle.com for more information including an interactive auction catalog.
Bruce Vilanch, the famously bespectacled writer, actor, comedian, songwriter, and erstwhile Hollywood Square, has long been the sassy pen behind some of your favorite funny people's funniest jokes. But, on this late-winter afternoon, he and I settled in for a cozy video chat about the times the funny flopped.
In his insightful, hysterical new book, It Seemed Like a Bad Idea at the Time: The Worst TV Shows in History and Other Things I Wrote, the two-time Emmy-winner pulls back the curtain on a litany of infamous misfires he had a hand in, like The Star Wars Holiday Special.
Defying the adage that the lady needs no introduction, Bruce David Klein’s captivating documentary Liza: A Truly Terrific Absolutely True Story extends a four-minute introduction to its larger-than-life subject Liza Minnelli before the film truly enters the breach, touching down on June 22, 1969, the day her mother Judy Garland died.
In the midst of the preamble performance clips -- presenting Liza as a gangly ingenue onstage with her mother, and as a superstar commanding the world’s stages on her own -- Klein runs amusing outtakes of Liza, present-day, sitting for interviews but not at all passively. Dressed in head-to-toe black, her trademark pixie cut topped by a newsboy cap, she commands the room tenaciously, directing the cameraman on how to shoot her.
Not for anything I've said over the course of our lively hour-long phone interview one recent Saturday, but for this magazine's past transgressions.
This issue, you see, marks Cho's fourth appearance on a Metro Weekly cover in three decades, and I'm sheepishly begging forgiveness for how we handled the previous headlines, bastardizing her last name for the sake of a pun.
"Cho-Zen."
"On With the Cho."
"Cho Girl."
"It's all good," she laughs, taking it in stride. One thing about Margaret Cho is that she doesn't offend easily, if at all.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
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