A drag performer at Palace Bar – Photo: Palace Bar, via Facebook.
An LGBTQ bar in Miami has received threats and negative reviews on its social media pages after a conservative activist accused it of having children perform in drag shows.
In one Instagram post, a user wrote: “I hope y’all end up like Pulse,” referring to the massacre at a gay nightclub in Orlando on June 12, 2016 that killed 49 people and wounded 53. The FBI later deemed the shooting a terrorist attack.
In another instance, a Facebook user from Houston, Texas, gave the bar a zero-star review, writing: “Has children involved in their x-rated shows. Having money thrown at the children and telling them to pick it up! Unbelievable!!”
But Thomas Donall, the owner of the Palace, in South Beach, says that the threats and negative messages making false accusations against the bar on social media are untrue — the result of a misinformation campaign being spread by conservatives.
The incident that sparked the conservative outrage was a drag show where a performer was doing a routine dedicated to Madonna. Two young girls, whose parents had brought them to the bar, got permission to interact with the drag queens and began prancing and voguing on stage alongside a drag queen. The children, following the drag queen’s example, began picking up dollar bills from the floor that were dropped by customers as “tips” for the drag queen.
“It was all innocent fun for the girls,” Donall told Miami-based ABC affiliate WPLG. “I mean, they were posing with a Madonna show.”
However, Angela Stanton-King, a former Republican congressional candidate, conservative activist, and supporter of the QAnon conspiracy movement, claimed that she went to the Palace earlier this year and saw the children interacting with the drag queen.
“These people have children in a [expletive] drag show,” she said in a video she shot. She shared the video on Instagram with her nearly 300,000 followers, including footage of a confrontation she had with a Palace employee, during which she said: “I feel offended and disrespected by being a survivor of sexual abuse!”
Stanton-King has argued that city officials must take action to keep drag queen away from children, adding: “I’m anti-sexual exploitation of children.”
Such rhetoric isn’t new for Stanton-King, a Trump acolyte who was pardoned by the former president for her role in a car theft ring, who has previously spread misinformation on various topics on social media.
But Donall worries that Stanton-King’s misinformation campaign is going too far, and hurting his business, which was already negatively impacted by the COVID-19 pandemic. U.S. Rep. Marjorie Taylor-Greene recently repeated Stanton-King’s claims when she called for the drag queen who interacted with the children at the club (while, in typical fashion for Greene, misstating the club’s location, as well as repeating other erroneous information). This has prompted some conspiracy theorists to complain to Miami Beach City Hall, urging politicians to step in and stop the drag shows.
Donall claims one city official even asked him to change the drag queens’ artistic expression.
A spokeswoman for the city told WPLG she wasn’t aware the city had taken any action against the bar. But Donall says the attacks are taking a toll on his staff.
“It’s really difficult for us and heart-wrenching … I mean it just makes me … really sick to my stomach,” he said.
Paul Reubens, better known as his on-screen persona “Pee-wee Herman,” came out posthumously in a recently released documentary.
The documentary, Pee-wee as Himself, premiered at the Sundance Film Festival on January 23. It features Reubens -- who died in July 2023 at age 70 -- reflecting on his life and rumors about his sexuality.
Reubens discusses why he hid his sexuality after becoming famous in the 1980s for his portrayal of Pee-wee, a character Reubens developed as part of the Groundlings, a noted improvisational comedy troupe.
“I hid behind an alter ego,” Reubens says in the film, as first reported by The New York Post. “I spent my entire adult life hiding I was a huge weed head. I was secretive about my sexuality even to my friends self-hatred or self-preservation. I was conflicted about sexuality. But fame was way more complicated.”
"I like to think of myself as a professional fan," says Tariq O'Meally. "So, I want people to love the things that I love too. And bringing them together around that is really exciting."
Not merely a fan, but a dancer, choreographer, educator, and, since June, Artistic Director at Dance Place, O'Meally has been bringing communities together for the Blacklight Summit, a nightlong celebration of BIPOC and LGBTQIA+ dance, performance, art, and culture, since 2021.
"It initially started out a platform to present early-career, emerging BIPOC and/or LGBTQIA+ artists to give them a platform to share their work," he recalls. "There weren't a lot of resources fostering what I would believe the next generation of dance artists. So I used my position as guest curator and then artistic planning coordinator at the Clarice to start that."
Freddie's Beach Bar was targeted in an attempted arson after an unknown person intentionally set fire to the entrance in the early morning hours of January 9.
The Northern Virginia bar's owner, Freddie Lutz, told Metro Weekly that the bar had received a veiled threat from an anonymous caller the day before the fire.
"He basically said, 'We're going to fuck you up, we're going to fuck up people at the bar, and then we're going to go beat up women, whatever that means,'" Lutz said.
The same anonymous caller called back with a nearly identical message just hours after the fire was put out.
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