It’s not much of a spoiler to note that the Angel in Judgment Day gets the last laugh. In fact, we hear the Angel — also known as Sister Margaret from the lead character’s childhood — laugh at several different points in the new play, the script of which actually instructs the actor to cackle each time.
And with Patti LuPone cast in the role, rest assured you hear a cackle to end all cackles, one sounding almost diabolically possessed. Recorded last summer as a benefit for the Barrington Stage Company in the Berkshires of Western Massachusetts and now streaming in an encore presentation through the Stellar Events platform, the virtual play reading even throws in a few amusing outtakes for good measure.
“Shit! Motherfucker,” LuPone is heard in one blooper, right after her landline phone rings while shooting a split-screen scene with Jason Alexander. With perfect timing, Alexander interjects, “Is that God, Sister?”
In this promising debut play from veteran TV comedy writer/producer Rob Ulins (CBS’s Young Sheldon, Hulu’s Ramy), Alexander portrays corrupt, morally bankrupt lawyer Sammy Campo, who sets out to redeem himself after a terrifying Angel threatens him with eternal damnation during a near-death encounter.
He forms an unlikely bond with a Catholic priest (Santino Fontana), setting the stage for debates over timeless questions about morality, faith, religion, and human behavior. “I wanna figure out the rock-bottom least amount of good I need to do to get into Heaven,” Sammy says early upon meeting the priest, who snaps back, “It doesn’t work that way.”
Judgment Day itself works very well under the deft direction of Matthew Penn, who helps the large cast shine — a virtual roster also including Michael McKean, Justina Machado, Julian Emie Lerner, Loretta Devine, Carol Mansell, Michael Mastro, Josh Jonston, Bianca LaVerne Jones, and Elizabeth Stanley.
The end result is a production with sharp performances adding enough subtle dimension and vitality to almost help it defy reality, often looking and feeling like more than the staged play reading over Zoom it ultimately is.
Judgment Day streams through Aug. 1 on Stellar Events as a benefit for Barrington Stage. Tickets are $11.99. Visit www.StellarTickets.com.
"It was in high school that the theater bug hit me," says Miss Kitty. "I started as a singer before, and then, once I got to college, that's when I really started getting into dance." By the time she graduated from college, she notes with a flourish, "you could say became a triple threat."
The local performer's potential to become a triple threat was intimated early on by key officials in the drama department of her alma mater, Catholic University.
"I remember auditioning for a production of Gilbert and Sullivan's The Pirates of Penzance," she says. "They called me back as Ruth, the nursemaid. Many of my classmates and my voice teacher questioned that, I told them, 'No, I'm actually quite elated that they would be willing to call me back to play a female part, because I would feel a lot more comfortable that way."
Arriving at a particularly tense time for the nation's capital, Woolly Mammoth's funny, subversive It's a Motherf**king Pleasure is a breath of fresh air. It's inoculated in that this is British-born and performed theater -- and the Brits really do get something of a pass when it comes to the kind of irreverence that would otherwise raise eyebrows and hackles.
Indeed, this special brand of immunity is tested in the first few frenetic minutes of Motherf**king where all energies are spent trying to decipher whether it's okay to laugh or if this is some kind of awareness-raising exercise (or, in other words, a trap) for the well-intentioned but woefully-not-getting-it.
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