It holds the record as the highest-grossing non-musical play in Broadway history — and in this case, that history is remarkably fresh. Of course, To Kill a Mockingbird is still best known in its original form, as Harper Lee’s Pulitzer Prize-winning novel dating to 1960.
Surprisingly, the work, a tale of racial injustice and childhood innocence, has only been adapted for the screen once, and that 1962 film continues to rank as one of the greatest movies of all time.
It had only been adapted once for the stage — with the annual, only-in-Alabama production developed by Christopher Sergel — before Aaron Sorkin decided to put his stamp on the piece a few years ago.
That stamp included tinkering with the story to position Atticus Finch as the protagonist instead of the famous lawyer’s young daughter Scout.
With Jeff Daniels originating the role of Finch, the production, directed by Tony-winner Bartlett Sher with an original score by Adam Guettel, managed to overcome initial resistance as well as a major lawsuit from the Lee estate in reaction to the changes, going on to enjoy a successful run on Broadway starting in November of 2018 until the pandemic shutdown in March of 2020.
It then picked back up in October of 2021 until mid-January of this year, with a third Broadway extension planned to commence later this summer with Greg Kinnear in the role of Finch.
The national touring production of To Kill a Mockingbird is now open for a three-week run at the Kennedy Center, headlined by the great Richard Thomas, who stars as Finch opposite Melanie Moore as Scout.
The production also features Jacqueline Williams as the Finch’s housekeeper and caretaker Calpurnia, and Mary Badham, who garnered an Oscar nomination as Scout in the original film, as Mrs. Dubose.
Yaegel T. Welch as defendant Tom Robinson and Steven Lee Johnson as Dill Harris, plus Luke Smith, Liv Rooth, and Glenn Fleary all also join the touring production fresh from the revived Broadway run.
We've hit peak holiday season, with just a few more days to go until Christmas, Hanukkah, and Kwanzaa. So we've made a list, and checked it twice, with the following deemed suitable for all, whether you're naughty or nice. Partake in our mix of holiday-themed stage shows, music concerts, and outdoor pop-up parties and markets. Consider this your last call for all things 2024. This time next week, we'll guide you to ideas for ringing in 2025.
MADELINE'S CHRISTMAS -- Creative Cauldron presents a staged entertainment that also offers a transporting escape, suitable for all ages, to a romanticized depiction of Paris. That, in essence, is the appeal of Madeline's Christmas, the holiday musical that, over the past decade, has become a recurring seasonal hit for the Northern Virginia company. Based on the classic illustrated book Madeline, the focus is on a precocious Parisian girl and her teacher Miss Clavel at an all-girls boarding school. Adapted for the stage by Jennifer Kirkeby and Shirley Mier, the holiday-themed adventure finds everyone at the boarding school sick in bed on Christmas Eve and unable to go home for the holiday. But Madeline saves the day by taking her friends on "a Christmas journey they will never forget" with the help of a "magical rug merchant." As Miss Clavel, Shaina Kuhn is one of several adult actors in a cast featuring 21 children, elementary- and middle-school-aged students, all part of Creative Cauldron's Musical Theater Ensemble educational program. To Dec. 22. Creative Cauldron, 410 South Maple Ave., Falls Church. Tickets are $20 to $30, or $75 for a Family 4-Pack. Call 703-436-9948 or visit www.creativecauldron.org.
The holidays can be overwhelming, and that goes for all the ways you can celebrate the holidays, too. So we thought we'd help out by culling through the festivities to select a few of the very best. We'll do it again next week with a whole new crop of outings to consider for getting your holly jollies on.
THE HOLIDAY SHOW -- The Gay Men's Chorus of Washington is sure to touch and titillate you with this year's 44th annual year-end extravaganza, a program designed to celebrate the holidays around the world through a mix of eclectic songs enhanced by arrangements accentuating the beautiful melodies and harmonies as performed by the full chorus of more than a hundred, by one of the organization's smaller, select ensembles, or by a few standout soloists. Among the most inspiring of the GMCW's smaller ensembles set to perform is the GenOUT Youth Chorus, a group of budding singers from around the region. Sure to give a rousing, high-kicking performance is another GMCW ensemble, the 17th Street Dance Troupe. Even jolly ol' Santa will drop by to liven the mood, especially for those who've been more nice than naughty. Saturday, Dec. 7, and Dec. 14, at 3 and 8 p.m., and Sunday, Dec. 15, at 5 p.m. Lincoln Theatre, 1215 U St. NW. Tickets are $25 to $75. Call 202-293-1548 or visit www.gmcw.org.
Imaginative and powerfully delivered, the Washington National Opera's Macbeth is the opera to drop everything and see. Verdi's gorgeously dramatic distillation of Shakespeare's tragedy is already ever-so-accessible, the dark and swooping grandeur of his score the perfect medium for the tale's high drama and mystery.
Add director Brenna Corner's elegantly innovative vision and this is classical opera for the 21st century at its best: so good it needs no compromises. If you have even the slightest interest in seeing the real deal, this is the one for you. If you are already in, this will be a treasure trove of pleasures.
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