‘To Kill a Mockingbird’ featuring Richard Thomas (center) — Photo: Julieta Cervantes
It holds the record as the highest-grossing non-musical play in Broadway history — and in this case, that history is remarkably fresh. Of course, To Kill a Mockingbird is still best known in its original form, as Harper Lee’s Pulitzer Prize-winning novel dating to 1960.
Surprisingly, the work, a tale of racial injustice and childhood innocence, has only been adapted for the screen once, and that 1962 film continues to rank as one of the greatest movies of all time.
It had only been adapted once for the stage — with the annual, only-in-Alabama production developed by Christopher Sergel — before Aaron Sorkin decided to put his stamp on the piece a few years ago.
That stamp included tinkering with the story to position Atticus Finch as the protagonist instead of the famous lawyer’s young daughter Scout.
With Jeff Daniels originating the role of Finch, the production, directed by Tony-winner Bartlett Sher with an original score by Adam Guettel, managed to overcome initial resistance as well as a major lawsuit from the Lee estate in reaction to the changes, going on to enjoy a successful run on Broadway starting in November of 2018 until the pandemic shutdown in March of 2020.
It then picked back up in October of 2021 until mid-January of this year, with a third Broadway extension planned to commence later this summer with Greg Kinnear in the role of Finch.
The national touring production of To Kill a Mockingbird is now open for a three-week run at the Kennedy Center, headlined by the great Richard Thomas, who stars as Finch opposite Melanie Moore as Scout.
The production also features Jacqueline Williams as the Finch’s housekeeper and caretaker Calpurnia, and Mary Badham, who garnered an Oscar nomination as Scout in the original film, as Mrs. Dubose.
Yaegel T. Welch as defendant Tom Robinson and Steven Lee Johnson as Dill Harris, plus Luke Smith, Liv Rooth, and Glenn Fleary all also join the touring production fresh from the revived Broadway run.
"This is a joy bomb!" exclaims Christopher Gattelli. "You can't stop smiling and laughing while you're watching this show!"
That show is Schmigadoon! Not the streaming version that still resides in two glorious seasons on Apple TV+, but a brand-new stage adaptation of the first season of the romantic comedy that finds a couple struggling to regain the love in their relationship, suddenly trapped inside a musical where corn puddin' is the breakfast du jour. The show makes its World Premiere this weekend as part of the Kennedy Center's consistently magnificent Broadway Center Stage series.
The Kennedy Center's Broadway Center Stage continues its hot streak with the World Premiere production of Schmigadoon!, a rousing musical stage adaptation of the Emmy-winning Apple TV series.
Series co-creator Cinco Paul, who wrote all the songs for the two seasons of the loving sendup of musicals, also wrote the book, music, and lyrics translating Schmigadoon! from TV to stage. Condensing season one of the series into a robust two acts, Paul provides the streamlined vessel, and director-choreographer Christopher Gattelli (Death Becomes Her) expertly steers it to the magical town of Schmigadoon and back.
Not for anything I've said over the course of our lively hour-long phone interview one recent Saturday, but for this magazine's past transgressions.
This issue, you see, marks Cho's fourth appearance on a Metro Weekly cover in three decades, and I'm sheepishly begging forgiveness for how we handled the previous headlines, bastardizing her last name for the sake of a pun.
"Cho-Zen."
"On With the Cho."
"Cho Girl."
"It's all good," she laughs, taking it in stride. One thing about Margaret Cho is that she doesn't offend easily, if at all.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
You must be logged in to post a comment.