“Old Stock is a music/theater hybrid, a concert [of] klezmer/folk fusion,” says director Christian Barry. “It should feel a bit like the circus is coming to town, a traveling band of troubadours [who] share with you a story from a perspective you have never heard. [It’s] a story that’s dark and funny and inspiring.”
Canadian playwright Hannah Moscovitch became inspired to write Old Stock during the Syrian refugee crisis in 2015, a time that coincided with her finding immigration records of her paternal grandparents, two Jewish Romanian refugees who found love on the shores of Halifax, Nova Scotia, over 100 years prior.
Moscovitch and Barry, her husband, enlisted Canadian recording artist and musician Ben Caplan to work with them to develop Old Stock for 2b theater, which Barry runs.
“We all agreed that by telling our own family story, we had a way of looking at what it might be like to be a refugee today,” Barry says. “In so many ways the anti-Semitism of that time felt a lot like the Islamophobia we were seeing in the world in 2015… and still today.”
Caplan is now performing the work as the opening show in Theater J’s new 32nd season.
n the program, Theater J’s Managing Director David Lloyd Olson writes, “As we planned this season…we found ourselves turning to stories of triumph and resilience, joy, and hope. We were also drawn to shows that would give us a sense of greater belonging to the fabric of community that stretches across time and borders.”
Old Stock — Photo: Ryan Maxwell
Caplan is accompanied on stage by a four-piece band, with two of the musicians, Eric Da Costa and Shaina Silver-Baird, doing double duty by also portraying the young refugee couple in love.
Theater J, which bills itself the “nation’s largest and most prominent Jewish theater,” has arranged for a few discussions further exploring the show and themes from the show, including a symposium following the matinee performance on Sunday, Sept. 18, featuring the work of HIAS and focused “on the struggles refugees face today and the work of many area nonprofits aiding refugees resettled in the D.C. area.”
Old Stock: A Refugee Love Story runs to Sept. 25.
Aaron & Cecile Goldman Theater in the Edlavitch DCJCC, 1529 16th St. NW.
Like life imitating art and art imitating life, Synetic Theater currently has rather a lot in common with the subject of their production of The Immigrant, a riff on Charlie Chaplin and his tragic-comic character known as the Little Fellow.
Not only are Synetic's founders themselves immigrants, but the company is now as homeless as Chaplin's character. Add the fact that the headlines don't go a day without covering the plight of immigrants of all stripes, and it's all happening here under the bowler hat.
Of course, having no space to call home is no laughing matter -- especially since Synetic must move between area theaters, even mid-run, as in the case of The Immigrant. This must be taking its toll.
Stages are alight this Spring with a deluge of exciting productions -- some starry, as in the case of The Shakespeare Theatre's Uncle Vanya featuring Hugh Bonneville, equally beloved in Downton Abbey and the joyous Paddington films.
The beauty of theater -- and in all these inventive, upcoming works -- is that it serves up various points of view with drama, wit, and intellect often concealed under the guise of boisterous entertainment. At its best, theater quenches our thirst for a deeper connection to our fellow human beings. At its worst, it's Cats. Still, theater sometimes gives you a musical moment that makes your spirits soar.
Last seen onstage at Theater J putting a tender comic stamp on the remarkable Ruth K. Westheimer in Becoming Dr. Ruth, Naomi Jacobson displays impressive range portraying a very different feisty older lady in José Rivera's thought-provoking Your Name Means Dream.
Rivera -- noted for plays Marisol and Cloud Tectonics, and his Academy Award-nominated screenplay for The Motorcycle Diaries -- directs the sci-fi drama exploring the relationship between Jacobson's 74-year-old spitfire Aislin and her AI service robot Stacy, played by Sara Koviak.
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