DIW’s Spirit of Kwanzaa — Photo: Rodney R. Rice, Jr
The late Fabian Barnes launched the Dance Institute of Washington in 1987 with a mission of improving the lives of underserved children in D.C. through the arts. More specifically, the institute provides dance and ballet training and support for aspiring Black and minority dancers in ways that ultimately might inspire more to pursue careers and find success in professional ballet and the dance industry.
Forty-five years later, and six years after Barnes’ death, the institute is touted as “the leading minority-led pre-professional dance equity organization in D.C.” It has also been heralded for its work in teaching its students beneficial life-building skills, from nutritional guidance to anger management, above and beyond the core artistic training and academic discipline.
Outside of the classroom, the Dance Institute of Washington has been a leading area purveyor of holiday programming, with its specialty a show celebrating Kwanzaa, the pan-African and African-American winter holiday.
The institute’s signature Spirit of Kwanzaa production has been an annual staple around the city for decades. That includes a high-profile, multi-year run at the Kennedy Center at the turn of the millennium.
A mix of dance, music, and spoken word celebrating the holiday while lifting up the struggles and creativity of the Black experience, the production provides an overview of the seven-day holiday, which starts the day after Christmas and runs to Jan. 1, with each day dedicated to a different one of seven core principles, including striving for Unity, Self-determination, Collective work and responsibility, Cooperative economics, Purpose, Creativity, and Faith.
Next weekend Howard University plays host to this year’s show, which has been organized around the theme of “Celebrating Life and Harmony.” The production stars a cast of dancers from around the region and features renowned guest choreographers Earl Mosley and Katherine Smith.
“It’s a perfect opportunity to bring the community together while celebrating everything enduring and beautiful about Black culture and creativity,” says Executive Director Kahina Hanyes in a release.
Friday, Dec. 16, and Saturday, Dec. 17, at 7 p.m. at the Cramton Auditorium, Howard University, 2455 6th St. NW. Tickets are $20 to $30. Visit www.danceinstituteofwashington.org or call 202-371-9656.
Federal agencies under the Trump administration have flagged hundreds of words to avoid in official government memos, public-facing websites, and informational materials.
Government agencies are seeking to comply with a President Trump executive order seeking to rid the government of diversity, equity and inclusion (DEI) practices, and any programs or initiatives that conservatives decry as "woke," including those that focus on racial and cultural identity, LGBTQ identity, and the idea of "equity" rather than equality.
The list appeared in government memos and agency guidance, ordering the removal of the words from government websites, internal communications, and from written or printed materials.
The Center for Black Equity's Kenya Hutton is leading an equity-centric organization at a time when anti-LGBTQ sentiment is on the rise.
Interview by John Riley Photography by Kollin Benson
March 2, 2025
"When we talk about the larger society in America, I think we've made some major headways in LGBTQ rights and acceptance," says Kenya Hutton, president of the Center for Black Equity. "However, there are active moves being taken to get rid of some of those rights. Seeing attempts to take back those rights is a little disheartening, trying to go back to a space where a young, gay me was afraid to come out and of what was going to happen."
The 46-year-old sees part of his mission as creating a world where younger generations of LGBTQ people will not have to overcome the same obstacles he had to in the process of exploring his identity.
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