Since competing on season 10 of RuPaul’s Drag Race, Blair St. Clair has forged her own unique career path in the notoriously difficult drag industry.
Instead of only performing at gay bars, selling merch, and wrestling for a spot at DragCon, Clair has proved her talent not only when it comes to fashion, styling, and makeup, but also music.
Just after her run on the show concluded in 2018, she released her debut Call My Life, which ended up topping one of Billboard‘s dance/electronic charts, proving that she was not just another drag queen. Since that success, Clair has continued to write, record, and release music, and now she’s taking her love of singing to crowds in a new direction.
As of February 2 and 3, Clair will officially become a cabaret star, as she is launching her very own show, Legally Blair, at New York City’s famed Green Room 42. We caught up with the multi-talented queen ahead of her show’s premiere to learn what fans can expect and what made her decide to go this route as she furthers her entertainment career.
Legally Blair poster: Blair St. Clair
How did this cabaret show come about?
Samantha Diane, my manager, and Camden Scifres, my agent, and I were talking about my career and what was next for Blair. We were discussing which shows to pitch me for in the 2023 calendar year since I’ve wanted to get back on stage in theater for years. After thinking about it more, we thought the best type of pitch would be to do my own show to tell the world who I am as an artist and an entertainer!
I’ve been in the writing process with director Ben Rimalower since early November.
Tell me about the process of finalizing and rehearsing this show? How has your director Ben Rimalower helped you?
I’ve never worked on a new show in a workshop stage where pieces are being written, rewritten, scrapped, moved around, and arranged. This has been a new process for me in terms of being able to be flexible and adapt to the creative process. Ben has been such an incredible asset to this show from its conception. He’s helped bring some of my ideas to paper. I love working with someone who truly understands what I do and who I am as an artist.
What can fans expect from your first cabaret show?
Fans can expect to see me in all forms: goofy, fun, charismatic, and vulnerable. This show is completely live and is meant to entertain but also bring up points that are important to today. Sondheim said that the best theater tells true, current stories. I hope that people can relate to me and my story.
You have made a name for yourself as both a musician and drag artist, but cabaret is a bit different. How will this show hold on to what people know you for, but also change things up?
I found drag through musical theater. I was originally cast in La Cage Aux Folles when I was 19. That lent itself to developing who Blair is today. I’ve wanted to use my love of music, theater, and gender expression to get back to a place of storytelling. Cabaret is exactly that!
Do you ever perform out of drag, or is that part of your life reserved for your Blair St. Clair character?
I do perform out of drag. I’m a nonbinary actor. I see myself as both male and female presenting characters. I feel my most comfortable getting to play with femininity and connect most to the stories of your traditional “leading ladies,” but I also connect to characters that are male. I’m not playing Gaston in Beauty and the Beast, but I can see myself connected to roles like Evan Hansen, Pippin, and Seymour.
Now that you’ll be entering the cabaret/Broadway arena, what other ambitions do you have in this space?
Since I was little, my dream has been to perform on Broadway, and I know that will happen someday. When? I’m not sure, but life is about dreaming and manifesting those possibilities. I feel the most creative and alive when I step into the shoes of a character and get to live their life for a few hours each night.
What does the rest of 2023 bring for Blair St. Clair?
2022 was a year of taking risks. 2023 is off to the start of applying the lessons learned from those risks and making my dreams a reality. I’m excited to see what happens this year, but I hope that it’s filled with many productions and memories.
Theater suggestions are part of a critic's job. So when a friend sent a text asking for a recommendation to take his visiting mom to -- "something joyful" on Broadway was the requirement -- I didn't waste a moment responding: Boop! The Musical.
It may seem a surprising answer because the property upon which it's based comes from a cartoon that was popular from 1930 to 1939. Nevertheless, Betty Boop has endured, accumulating legions of cross generational fans and becoming one of the most globally recognized animated figures of all time.
Director and choreographer Jerry Mitchell, who has a knack for leaving audiences on a natural high after all his shows, once again brings literal glitter to a work that makes us long for the days when nearly every old-fashioned musical delivered big thrills.
Obsession with eternal youth has always been a hot topic.
Theatergoers who can't get enough of the theme are in luck, as three New York shows prominently feature the idea of enduring beauty: a Broadway stage adaptation of the 1992 comedy Death Becomes Her has two dueling divas battling it out in comic fashion after drinking a potion that halts the aging process.
Downtown, meanwhile, a Faustian deal is brokered between a devil named Mephisto and a bank president where the financier can relive his years in one night in the immersive production entitled Life and Trust.
You would think that, by now, reasonable theatergoers would be exhausted by angry, self-serving bloviates who unleash profanities and cruel language on each other and anyone within earshot.
Obviously, there is more demand for it, as David Mamet's 1984 Pulitzer Prize-winning Glengarry Glenn Ross is back on Broadway for a third time.
And, like the unwitting suckers who fall into the clutches of this predatory group of real estate sharks, audiences are quick to drop top dollar to see a starry cast comprised of Bob Odenkirk as Shelley Levene, a past-his-prime salesman looking to increase his numbers, Bill Burr as Dave Moss, another older sales guy who huffs and puffs like the big, bad wolf, and Kieran Culkin as hotshot Ricky Roma, a slick smooth talker who has no time for excuses.
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