Washington is host to many Pride celebrations, from the countless dance parties to the Capital Pride Parade, Concert and Festival, the city offers multiple chances to celebrate your Pride.
One of the ways to celebrate Pride — and a way put a bookend to the event-packed June Pride month — is to make sure to the annual District of PRIDE Showcase hosted by Mayor Muriel Bowser and the Mayor’s Office of LGBTQ Affairs.
This year’s event will showcase a range of local LGBTQ talent that includes drag performers, storytellers, and singers in the historic Lincoln Theater on Thursday, June 29.
“It’s a showcase of local LGBTQ A-plus talent,” says Japer Bowles, the Director of the Mayor’s Office of LGBTQ Affairs. “It’s one of the last big events in the district and in the region that’s pride related and really it’s a celebration. It’s a great time.”
DJ Honey will be pumping the music throughout the night.
Bowles explained that now, in a time when drag is criminalized across the U.S., it is vital to provide a platform for drag performances.
“Throughout the entire program, we’re highlighting drag,” he says. “A party without cake is just a meeting, so we’ll be having Cake Pop! We’re celebrating Pretty Boy Pride with Pretty Boy Drag.”
The focus of the showcase, Bowles says, is to focus on Washington’s LGBTQ art scene. Nearly 90 performers submitted their applications to appear, and ten were chosen.
This talent, Bowles says, is special to Washington due to its high LGBTQ population and progressive LGBTQ policies. Washington ranks highest in the nation for an area with an LGBTQ population, currently at 9.8% according to UCLA’s Williams Institute.
“This does not happen in Oklahoma and this does not happen in Missouri and in Texas,” he says. “DC is the district of pride!”
Mayor Muriel Bowser’s fourth annual “District of Pride” is Thursday, June 29, from 6 to 10 p.m. at the Lincoln Theatre, 1215 U St. NW. Admission is free. To reserve a space, register by visiting Eventbrite.
"As a kid, I heard a lot of sad stories about women."
Those words appear early in Cyndi Lauper: A Memoir, which the pop superstar released in 2017. As she tells it, Lauper was especially distraught hearing stories in which her grandmother, her mother, and her aunt were each dissuaded or denied chances to pursue their individual dreams or opportunities -- and all solely because of their gender. "I could never undo the wrong done...because of a ridiculous mentality that kept women back," she wrote.
What she could do was to commit herself to changing that narrative, and to not let similar limits get in her way, particularly when it came to pursuing a career in music. Her drive was at least in part motivated by her mother, the Brooklyn-reared daughter of Catholic immigrants from Sicily.
Too much of modern pop music is missing the melody, according to John Duff.
"These songs are not designed to be performed by performers," the singer-songwriter contends. "They're designed to play in an algorithmic playlist that blends in with the next one and the next one and the next one, so that they can get every stream they possibly can."
In a musical landscape where everything's becoming homogenized, Duff says that "even the best singers aren't getting a chance to sing, because they're competing with mediocre singers, and the mediocre singers are doing better."
They're havin' a gay old time in Bareback, Idaho. Foot stompin', lumber jackin', and high steppin' dance moves are all part of the charm as the townsfolk prepare for Stacey's (Marla Mindelle) wedding. Welcome to The Big Gay Jamboree.
The only problem is that no one in the town quite understands the leading lady and, after a night of heavy drinking, she can't make sense of them either.
Somehow, she's trapped in a time warp with Flora (Natalie Walker), a nymph shunned for her sexual proclivities, Bert (Constanine Rousouli), a sexy serial killer who is coming to terms with his own sexuality, Clarence (Paris Nix), a handsome, African-American man who is tired of being the token black in the story, but who wins Stacey's affection, and an ensemble of townspeople whose squeaky clean, perma-smile demeanors suggest a Peyton Place vibe with jazz hands.
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