Shakers Bar – Photo: Ward Morrision / Metro Weekly
It was just before 11:30 on a sultry Saturday night when we rolled up to Shakers, D.C.’s new queer bar on the scene, to find a line snaking up Ninth Street.
We weren’t mad about the brief wait, but rather glad to see so many folks out enthusiastically, safely getting their life, packing bars, clubs, and restaurants up and down the U Street Corridor.
The buzz of late-summer sexiness circulated among throngs pouring into nearby Kiki, Nellie’s, and the Dirty Goose, and crowding into every straight-catering spot along the strip.
Knowing what nightlife looked like two and three summers ago, it appears going out has made a fierce comeback — which might not be true in every U.S. city.
“I think D.C. is kind of unique,” says Shakers co-owner Justin Parker. “I feel during the pandemic, and as it was winding down, across the country we kind of saw in other cities there were spots that were closing. I feel D.C. saw the LGBTQ bar scene [expand] — I mean, we’ve had, what, four or five spots added within the last 2 to 3 years.”
Daniel Honeycutt, Parker’s partner in life and raising their one-year-old baby, as well as running both Shakers and the Dirty Goose, agrees that while, nationally, LGBTQ spaces “are really struggling, and we continue to see them struggle…post-pandemic,” that the Capital has been bucking the trend. “It just seems like D.C. is hopefully headed in the right direction, where we have more spaces available for us.”
Shakers — located in the single-floor space formerly occupied by Whitlow’s — sprawls temptingly from a front bar area with a cozy dance floor and stage, back through a well-lit lounge into a rear patio, all of which were comfortably crowded as I swirled through sipping a tasty Mezcal margarita.
Shakers Bar — Photo: Ward Morrison / Metro Weekly
Elsewhere, but not too far away, Beyoncé was wrapping up that night’s Renaissance World Tour gig, so, of course, DJ Glen Coco kept Bey in rotation, and the dance floor on their toes.
An excited roar went up for “America Has a Problem,” and queens jumped onstage to let everybody know, “You won’t break my soul,” but the dance floor really threw down to Tiësto and Charli’s “Hot in It.” Proof there’s room for every queen at the club.
And it was hot to revel with the diverse crowd, from dancing twinks and pre-gaming Kiki daddies, Howard and Gallaudet queers to tourists, and, later in the night, the bedazzled Beyhive rolling in dripped in merch and full of tales to tell.
Shakers — Photo: Ward Morrison / Metro Weekly
Three voluminous rooms of strangers felt like one party — and that’s part of the concept of Shakers, which also will include nights for drag entertainers, cabaret, industry movie nights, and space for community meetings and family days.
“I think people five, eight years ago were questioning, do we actually need gay bars anymore,” Honeycutt says. “And I feel like, where you sit today, the resounding answer is, ‘Yeah, yeah, we need LGBT, queer spaces that are community.’ It’s more than just a place where you drink.”
Shakers is located at 2014 9th St. NW, between U and V Streets. Visit www.shakersdc.com. Follow Shakers on Instagram @Shakers.Bar.
The weatherman said it would be hot Monday night, and he wasn’t lying. The torrid D.C. heat had the cowboys, gals, and dolls sweating out of their boots on night two of Beyoncé’s record-breaking Cowboy Carter Tour at Northwest Stadium, in Landover, Maryland.
Even the ever-cool Mrs. Carter must have been feeling the ninety-plus degrees. Bey and her dancers broke out boxer briefs and sports bras -- new custom crystal-beaded Calvin Klein, of course -- midway through her set and in plenty of time for a red-hot “Heated,” part of the show’s glorious return to Renaissance.
But Bey began, bless her, draped in a full feather cape by Elie Saab over a red, white, and blue spangled Saab bodysuit. Entering to the sound of a galloping horse and the crowd screaming her name, the head cowgirl in charge lit into “Ameriican Requiem,” a rock-and-soul call for the nation to live up to its ideals, off the singer’s Grammy-winning Cowboy Carter album.
The following are select events during the WorldPride celebration.
Illustrations by Scott G. Brooks
Welcome Center
Now to June 8
737 7th St. NW
www.worldpridedc.org
The Welcome Center is the WorldPride 2025 community hub where you can drop in for information about anything and everything related to WorldPride 2025 and Washington DC. Plus, there are phone charging stations, a Fabric of Freedom lounge area, official WorldPride 2025 merchandise for sale, and a fantastic, curated art exhibit for all to enjoy.
"There is a lot happening." David Archuleta is reading through the lineup of artists set to perform at the two-day WorldPride Music Festival in Washington, D.C. His eyes light up as he peruses the list, certain names producing a silent gasp of excitement, though I can't tell whose from my side of our video call.
"My friend Ty Sunderland is DJing," he says, still reading. Sporting a white tank and well-groomed stubble, much as he does in the sweetly queer video for hit "Crème Brulée," the teen idol-turned-pop prince seems to be searching for one name, in particular. "Isn't Trisha Paytas performing as well?"
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
You must be logged in to post a comment.