Bob The Drag Queen is getting ready to head out on the road with Madonna on her The Celebration Tour, but he’s also busy with his own projects as well. The beloved drag performer and winner of RuPaul’s Drag Race spoke to Attitude magazine about his new comedy special, the tour, and his relationship with the pop icon, and he revealed that yes, he’s shown her one of the most shocking moments from the RuPaul’s Drag Race runway.
In the chat, Bob stated the he “did once show her a clip of Drag Race when all the queens were dressed in kimonos.” While some might see the episode as odd or even find it uncomfortable, Madonna reacted well to the many homages paid to her. “She thought it was pretty funny” the champion admitted.
The clip that Bob showed the Grammy winner was from an episode of RuPaul’s Drag Race that included a Madonna-inspired runway challenge. The contestants all had to pick an iconic look from Madonna’s time in the spotlight and showcase their own version of it on the runway, which is a challenge that has happened in the past with a focus on other stars.
Four contestants, Thorgy Thor, Derrick Barry, Kim Chi, and Naomi Smalls, all wore kimonos as part of the challenge. They were all referencing her “Nothing Really Matters” music video, which famously featured Madonna in a kimono at a time when cultural appropriation wasn’t as much of an issue that people got called out for as it is today. Immediately after the episode aired, many fans of the show referred to the moment as “kimono gate.”
Bob has referenced this interaction with Madonna before. In a separate chat he had on his Sibling Rivalry podcast, which he co-hosts with fellow RuPaul’s Drag Race winner Monét X Change, Bob stated that when he showed this clip to Madonna, her main question to him was why he chose to recreate her 2013 GLAAD Media Awards protest look, which featured a Boy Scout uniform.
Of all the many looks she’s turned out throughout her career, why pick that one, which is fairly straightforward, and very masculine? Bob explained that he loved the look and believed it was a great choice. He then proudly told Madonna that he had won the challenge that week, thanks in part to the Boy Scout outfit.
Bob is set to open for Madonna when her The Celebration Tour begins in October in London. The run of shows was supposed to begin in America this summer, but weeks before it commenced, Madonna was rushed to the hospital with a bacterial infection, which delayed the start of the venture.
"We're expecting it to be more of a local crowd than typical, just because we have WorldPride around the corner," says Sean Morris of next weekend's Cherry -- dubbed The Cherry Element -- which is aiming for a more intimate vibe than usual.
"And since it's going to be a more local crowd," the board president of the Cherry Fund continues, "we wanted to embrace the local DJ community and give our local DJs more opportunities. So Friday, Saturday, and Sunday all have a local DJ that will be doing the opening set for the big names that we're bringing in."
DJ Jake Maxwell kicks things off Friday, April 11, at DC9 (1940 9th St. NW) along with headliner Oral Sabag. DJ Tezrah will get the party started Saturday, April 12, at BETTE (1235 W St. NE), a relatively new medium-sized space in Brentwood complex that once housed BET Studios.
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Washington National Opera: The (R)evolution of Steve Jobs
"This is the first time I've had a role for this long," gasps Ryan Bernier. "We just hit our 300th performance of the show in Detroit in January!"
The show is Golden Girls: The Laughs Continue, a warmly loving, gut-bustingly funny stage parody of the hit NBC series that ran for seven seasons from 1985 to 1992, and lives on in perpetuity in reruns. Bernier portrays Dorothy, made iconic by the indomitable and legendary late Bea Arthur, for whom the 6'3" actor is also a dead ringer.
To prepare for the role, which Bernier plays in full drag, he "consumed everything that Bea Arthur had ever done -- and we're talking from Maude to her brief gig on the Star Wars Holiday Special to her brief voiceover role in Futurama. She was a performer who really found a way to bring all of the tools in her toolbox to every project that she picked up.
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