In the darkest of dark comedies, it can be hard to tell the heroes from villains.
That might go double for the audacious Down Low, starring Zachary Quinto and Lukas Gage as an epically repressed, recently out gay man and the masseur he’s hired for his first homo happy ending who team up to hide the accidentally dead body of an internet hookup.
Gage — perhaps best known as the White Lotus bellhop who had his salad tossed by Murray Bartlett — co-wrote the script with writing partner Phoebe Fisher, and then encouraged producer FilmNation to pass it along to Rightor Doyle to direct.
“We had known each other for years,” says Doyle, also the creator, writer, and director of Netflix’s provocative comedy series Bonding, loosely based on Doyle’s experiences as a fresh-faced gay New Yorker working for his dominatrix best friend as her bodyguard. One can safely assume the actor-turned-director has seen his share of crazy worker-client situations, and even he was shocked reading the script for Down Low.
“I read the first ten pages and said, ‘I can’t believe someone is going to make this,'” Doyle recalls. “And then I thought, ‘Wait, maybe I should be the one to make it.’ And I think it’s something that, particularly with queer cinema, gay cinema — I love a good, uplifting story, I love a good coming out story — but my sense of humor and the things that I like to watch felt very aligned with this darker, sort of button-pushing version of what it is to be queer or what it is to explore queer identity. And I just jumped at it. I begged to do it.”
For his persistence, Doyle not only got the gig, but then assembled an enviable cast that also includes Simon Rex in a role not to be spoiled, and powerhouses Judith Light, in a drop-dead hilarious turn as a nosy neighbor, and Tony Awards queen Audra McDonald, in a brief but searing appearance as the ex-wife of Quinto’s former closet case.
“She’s incredible,” Doyle raves of McDonald, who shot her part in a day, much to Doyle’s eternal gratitude. “She has been my hero for my entire life. [As a kid,] I saved up all of my money and walked to the nearest CD store and bought Way Back to Paradise, you know? And I told her this, literally, as she’s getting her hair and makeup done.”
While Quinto’s and Gage’s characters try to get away with almost-murder, McDonald’s ex-wife shows up to ensure her former husband doesn’t get off scot-free for upending their marriage, or for living a lie for decades. On the other hand, his sexuality apparently was a revelation to him, too.
As Doyle notes, part of “the beautiful complexity around the movie, but also just around being a human” is that “you can be right and wrong all at the same time.” But these guys are still totally wrong for trying to hide a dead body, right? Even if they do have their reasons? “I’m not here to answer any of those questions,” Doyle offers slyly.
“Good storytelling for me, asks more questions than it answers,” he says. “I would like to leave more curious than when I came. And I hope that this movie does that, whether you love it or hate it. I think the movie wants you to love it or hate it. I think it’s asking you to have a big opinion about it. And I don’t think it’s afraid of you having an opinion. So you can have an opinion, either way. And I think the movie allows for that.”
Even before the lights went up on 1st Stage's vibrant new production of Alexis Scheer's Laughs in Spanish, the writer already had a hit on her hands with the Miami-set mother-daughter comedy. Since its Denver world premiere in 2023, it has spawned nearly a dozen productions nationwide.
Marking its DMV debut, Elena Velasco's snappy staging at 1st Stage aptly demonstrates the play's broad appeal. A thriving but high-strung gallery director in the midst of a professional crisis clashes with her loving but grandiose actress mother who turns every situation into a one-woman show, promising a combustible scenario accessible to audiences anywhere.
Andrzej Stekala, a world medalist ski jumper from Poland, recently came out as gay on social media, sharing a heartbreaking tribute to his former partner, who died in November.
Stekala, 29, took to his Facebook and Instagram accounts last week, writing that he hid his sexual orientation -- and his relationship with his partner -- from fans because he believed it would hinder his athletic career.
The posts feature photos and short video clips of the couple being affectionate.
"For a long time, I wondered if I would ever find the strength within myself to write these words," Stekala wrote. "For years, I lived in the shadow of fear, in hiding, afraid that who I truly am might destroy me....
The secret to eternal youth will always be elusive. So if that's what you seek, you'd better keep your Botox provider on speed dial and a good moisturizer within reach.
That's the bad news. Now for some even worse news: Broadway's newest offering, Death Becomes Her, is so damned entertaining that you'll have to schedule an appointment for laugh line removal once the final curtain falls at the Lunt-Fontanne Theatre.
But fear not, it will all have been worth it, for you'll find yourself floating out the doors, rejuvenated and revived by this well-crafted, clever musical based on Robert Zemeckis' 1992 movie.
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