For better and for worse, the gay teen thriller Ganymede manages to capture the bleak horror of having to listen to a frothing anti-gay rant from some amped-up street corner preacher, or loud-mouthed bully. The kind of slur-filled noise that transmits fear and hate, and not a hint of Christian love.
Too many queer and questioning teens — like the film’s protagonist, high school wrestler Lee Fletcher IV (Jordan Doww) — are subjected to that barrage every day, at home, at church, at school. Lee’s small-town life is one long sermon on traditional values, ministered by his strict religious parents, and hellfire-spouting church pastor, all of whom are aware that the boy is battling certain so-called demons.
Lee is battling those demons literally, not just internally. In his nightmares, and in his waking life, he’s physically stalked by a hideous, skull-visaged creature that creeps out of his closet, or rises from the shadows in a corner of the room.
Conjured by Lee’s fragile, tortured psyche, the Creature (performed, with the aid of prosthetics and makeup, by Lucas Turner) is his sexual confusion and “reprobate thoughts” given physical shape. And, it seems, the Creature is especially triggered by Lee’s attraction to fellow senior Kyle (Pablo Castelblanco), who is gay and out, and totally into Lee.
Thankfully, Kyle is written with emotional complexity to go along with his crush on the good-looking jock. Portrayed with wit and confidence by Castelblanco, Kyle recognizes that Lee is suffering and confused, and not exactly boyfriend material, but he can’t help falling for the wrestler’s kind soul.
In a sweet heart-to-heart, spoken in Spanish and English, between Kyle and his supportive mom, Kim (Sofia Yepes), he confesses his feelings for Lee. His mom warns him to be careful about this boy.
In a different scene, and for completely different reasons, Lee’s mom, Floy (Robyn Lively), warns her son to be careful about Kyle. The cracked mirror images of maternal concern mark one bright spot of understated storytelling in a film — co-directed by Colby Holt and Sam Probst, from a script by Holt — battling its own demons of overacting and over-the-top psychodrama.
Lee’s parents don’t just preach and lecture about their traditional values. Floy and Big Lee (Joe Chrest) — as in “Bigly,” ha ha — shout and weep over their son like the world has ended, or their kid has died. Floy screams her frustrations into the bathroom mirror. Big Lee breaks down sobbing.
These responses might be psychologically valid in a real-world context, but as depicted here, they just look unhinged. Floy screaming to Lee that Kyle is evil because he flaunts his gayness is both high camp and utter drivel: “He’s a little Flaunt Leroy!” That’s an actual line.
“Mom, stop,” pleads Lee. And, he’s right. Please, stop. But then the family’s church leader, Pastor Royer (David Koechner), also calls Kyle a “little Flaunt Leroy.” That’s before the preacher whips out his makeshift electroshock machine for some unsanctioned conversion therapy.
Yet, conversion therapy, and attempts to pray away the gay, only leave Lee even more disturbed, and vulnerable to attack by his demons. Hence, Lee is constantly being scared awake by supposedly frightening, usually imaginary, brushes with the Creature.
He’s holding hands with Kyle, but suddenly, it isn’t Kyle, it’s a demon. Cut to, Lee waking up screaming. A girl at school plays footsie with Lee under the cafeteria table, but it isn’t a girl’s foot, it’s a demon! Lee screams.
Again and again, the film goes back to the same underwhelming well of scream cuts, stirring in blood and body horror, but never evoking the terror that truly grips Lee: his fear of himself.
Ganymede (★★☆☆☆) is available to streamon cable and digital VOD, including Apple TV, Fandango at Home, and Prime Video.
There are worse places in the world to be stranded than a cozy New England beach town, even if the summer season’s over and autumn’s chill is just around the corner. But despite the painted sunsets, and having the sandy shores of picturesque Provincetown, Massachusetts practically all to himself, lonely Brazilian visitor Lourenço (Marco Pigossi), the hero of queer indie High Tide, feels trapped in this sunny paradise.
First of all, he’s heartbroken, since Joe, the lover who brought him to P-town, abruptly left and ghosted him. Lourenço still has a place to stay, in a converted shed in the backyard of homeowner Scott (Bill Irwin), an old friend of Joe’s. But he has no money, and no prospects for gainful employment because he’s in the country on a tourist visa that soon expires.
The CrossFit Games changed its eligibility policies to ban transgender athletes from competing in the category designated for their "gender assigned at birth."
"All athletes are welcome to participate in CrossFit Games events," the sport's 2025 rulebook reads. "However, to maintain fairness and the integrity of the competition, athletes must compete in the division corresponding to their gender assigned at birth."
The rulebook does not elaborate further and does not mention the words "trans" or "transgender."
Based on the reference to "fairness," the policy appears to be primarily targeted at transgender women to prevent them from competing in female-designated events.
Just as it did four years ago, the Trump administration has removed nearly all mentions of LGBTQ identity and HIV from the White House website.
Moreover, searches for "lesbian," "gay," and "bisexual" result in an executive order from President Donald Trump reversing various executive orders issued by former President Joe Biden.
A search for "transgender" brings up the same order, as well as a separate order effectively erasing gender identity from law and requiring the federal government to only recognize a person's assigned sex at birth on identity documents, government surveys, and to receive any government benefits.
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