Visitors entering the first-floor galleries of The Phillips Collection’s transporting exhibition Multiplicity: Blackness in Contemporary American Collage are greeted by greatness — a statuesque modern Black woman, standing proudly in sneakers, her head adorned in a golden crown composed of cut-out newspaper images and articles depicting Civil Rights-era student protests.
“Headdress 61,” by D.C.-born artist Helina Metaferia, offers a warm introduction to the sprawling show, organized by the Frist Art Museum in Nashville, Tennessee, and featuring 60 works by 49 African-American artists.
Spread across three floors in two buildings, the works — exploring identity, history, memory, sexuality — express each artist’s individual purpose in their approach to the art of collage.
Artist Tschabalala Self’s arresting “Sprewell” suggests, as the curators note, the multidimensionality of Black identity: “One individual being made from lots of different distinct elements,” as Self says.
That might easily describe much of the figurative work, including Yashua Klos’ evocative woodblock print on paper “Uncle Scott,” and Devan Shimoyama’s sexy, psychedelic “Red Haze,” a figure conceived as “both desirable and desirous,” according to the artist.
Shimoyama is one of several queer artists represented throughout the exhibition, and in a gallery dedicated to Gender Fluidity and Queer Spaces, where visitors will find Wardell Milan’s powerful “Pulse. That’s that Orlando moon, 808 club bass. That’s that keep dancing, that’s that never stop,” a tribute to the Orlando nightclub and the city’s queer community that genuinely pulses with life.
Multiplicity: Blackness in Contemporary American Collage is on display through Sept. 22 at The Phillips Collection, 1600 21 St. NW. Admission is $20, with discounts for seniors, students, and military, and free admission for members and children under 18. Visit www.phillipscollection.org.
We've hit peak holiday season, with just a few more days to go until Christmas, Hanukkah, and Kwanzaa. So we've made a list, and checked it twice, with the following deemed suitable for all, whether you're naughty or nice. Partake in our mix of holiday-themed stage shows, music concerts, and outdoor pop-up parties and markets. Consider this your last call for all things 2024. This time next week, we'll guide you to ideas for ringing in 2025.
MADELINE'S CHRISTMAS -- Creative Cauldron presents a staged entertainment that also offers a transporting escape, suitable for all ages, to a romanticized depiction of Paris. That, in essence, is the appeal of Madeline's Christmas, the holiday musical that, over the past decade, has become a recurring seasonal hit for the Northern Virginia company. Based on the classic illustrated book Madeline, the focus is on a precocious Parisian girl and her teacher Miss Clavel at an all-girls boarding school. Adapted for the stage by Jennifer Kirkeby and Shirley Mier, the holiday-themed adventure finds everyone at the boarding school sick in bed on Christmas Eve and unable to go home for the holiday. But Madeline saves the day by taking her friends on "a Christmas journey they will never forget" with the help of a "magical rug merchant." As Miss Clavel, Shaina Kuhn is one of several adult actors in a cast featuring 21 children, elementary- and middle-school-aged students, all part of Creative Cauldron's Musical Theater Ensemble educational program. To Dec. 22. Creative Cauldron, 410 South Maple Ave., Falls Church. Tickets are $20 to $30, or $75 for a Family 4-Pack. Call 703-436-9948 or visit www.creativecauldron.org.
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