Laurence Olivier did it in 1983, a few years before his death. Ian McKellen has done it twice in just the last decade. Yet among the greats who have played the title character from Shakespeare’s greatest tragedy, it is the imposing portrayal by Estonian actor Jüri Järvet (Solaris) that many scholars consider to be the best Lear rendered on stage or screen.
Grigori Kozintsev’s sweeping Soviet drama from 1971 is often touted as the best cinematic adaptation, as well. The National Gallery of Art is giving museumgoers a rare chance to judge for themselves, offering a special one-day screening of Kozintsev’s Russian-language film, based on a translation by Boris Pasternak.
King Lear features the stunning black-and-white cinematography of Ionas Gritsius and a spare and haunting soundtrack by famed Russian composer Dmitri Shostakovich. Presented with English subtitles, the King Lear screening comes in conjunction with the exhibition Michel Sittow: Estonian Painter at the Courts of Renaissance Europe.
Sunday, March 11, at 4 p.m. East Building Auditorium, 3rd Street at Constitution Avenue NW. Free, but first-come, first-seated. Call 202-737-4215 or visit nga.gov.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
You must be logged in to post a comment.