“The Kennedy Center is my favorite place to work in the U.S.,” crows Randy Graff. “Two of the most meaningful shows in my professional life happened there and the Opera House is where it all began for me as a musical theater actor.” The year was 1986, with the pre-Broadway American premiere of Les Miserables. And Graff played the pivotal role of Fantine, whose “I Dreamed a Dream” is one of the musical’s biggest, most heartbreaking, showstoppers. The second moment came sixteen years later, in 2002, with A Little Night Music, the closing production of the Sondheim Celebration festival, in which Graff played Charlotte.
Graff’s one-woman cabaret, Made in Brooklyn, will include a nod to her KenCen roots. “I am singing ‘I Dreamed a Dream,'” she notes, in honor of Les Miz. But the October 30 appearance — her fifth in the venue — is mainly a tribute to the place where she spent her childhood.
“It’s the story of me growing up in Brooklyn, singing on street corners and eventually getting to Broadway,” she says. “Every song I sing was either written or made famous by a Brooklynite — foremost Barbra Streisand, but so many composers, lyricists and movie stars.”
Graff has appeared in countless hits on the Great White Way, including 1989’s City of Angels, for which she won a Tony, 1992’s Falsettos and revivals of A Class Act and Fiddler on the Roof. Through it all, she’s noticed her “very large gay fanbase” is among the most engaged.
“They’re the most accepting — perhaps that comes from living their own self-acceptance,” she says. “No matter what I do — I could fall on my face, I could crack on a high note, whatever I do, they’re just with me for the ride. I just so appreciate it.”
Randy Graff performs as part of the Barbara Cook Spotlight series on Friday, Oct. 30, at 7 p.m., at the Kennedy Center Terrace Theater. Tickets are $50. Call 202-467-4600 or visit kennedy-center.org.
Stages are alight this Spring with a deluge of exciting productions -- some starry, as in the case of The Shakespeare Theatre's Uncle Vanya featuring Hugh Bonneville, equally beloved in Downton Abbey and the joyous Paddington films.
The beauty of theater -- and in all these inventive, upcoming works -- is that it serves up various points of view with drama, wit, and intellect often concealed under the guise of boisterous entertainment. At its best, theater quenches our thirst for a deeper connection to our fellow human beings. At its worst, it's Cats. Still, theater sometimes gives you a musical moment that makes your spirits soar.
For true fans of live music, and the whole concert-going and festival-going experience, Spring 2025 in the DMV is shaping up to be a banner season. And for those who're also fans of queer music and of seeing LGBTQ performers live in concert? Well, we're about to experience a real embarrassment of riches in that regard. And no, not just because of all those coming to town for WorldPride 2025. In fact, the number of out artists stopping through the area both before and after Pride this year is impressive.
Melissa Etheridge is one. Bob Mould another. Also due to visit is Allison Russell, John Grant, Rahsaan Patterson, Halsey, and Lucy Dacus. Not to mention Kylie Minogue, who's got local gay hearts beating padam padam for sure. Down the road, once Pride is a wrap, it'll be Ty Herndon's turn. Also Brandy Clark's. The Indigo Girls, Pink Martini, Laura Jane Grace will all also follow suit. Oh, and Cyndi Lauper will also return to have a little more fun -- and say farewell one more time, after time.
The Spring-into-Summer offerings this year in the classical realm are as rich, diverse, and extensive as ever. There's even a WorldPride-affiliated event here and there, including a two-day festival that will close out May in surely the gayest way ever up at Strathmore. But don't think for a second that the Gay Men's Chorus of Washington is gonna take that lying down. In fact, for WorldPride, the organization's many choristers are planning to do a whole lot of popping up, all over the city, for two full weeks. And wouldn't you know it, they're even calling in reinforcements from all over the country.
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