Never mind that she’s best known as a dramatic TV actress — dubbed “the First Lady of Knots Landing” for her portrayal as Karen on that long-running prime-time CBS soap from the ’80s — Michele Lee styles herself as a funny lady.
“I wish I could be half-comedian, but I’m probably 10-percent comedian,” Lee cracks during a phone interview from New York, one she wishes could have been face-to-face, over lunch — or better yet, cocktails. “Oh yeah, let’s go to cocktails,” she says. “Forget that lunch thing.”
Lee is a hoot, an all-around, honest-to-goodness entertainer, the likes of which you don’t often see these days. Born Michele Lee Dusick, Lee got her start on Broadway at the age of 19 with small roles in plays and musicals, including How to Succeed in Business Without Really Trying. She recently returned to Broadway, as Madame Morrible in the long-running Wicked.
This Friday, Nov. 6, Lee performs a one-woman show as part of Barbara Cook’s Spotlight cabaret series at the Kennedy Center. The focus is on the music of Broadway composer Cy Coleman, whose 1973 musical See Saw earned Lee her first Tony nod. “Cy Coleman was an incredible artist,” she says. “The songs that I’ve chosen tell just a wonderful story about all his music…and my personal stories with him.”
Lee was going to perform a cabaret focused more on her varied career, but the brand-new Coleman show got such “fabulous reviews in New York,” she opted to go with it instead. Lee says she’d be delighted to come back to the Kennedy Center to perform her more personal cabaret, which includes a salute to Knots Landing. Asked if that cabaret also includes reference to another role in particular, from the hit 1968 Disney movie featuring a cognizant car, Lee just laughs. “There’s no song in The Love Bug that I would sing. But I do tell some funny stories about it.”
The Spring-into-Summer offerings this year in the classical realm are as rich, diverse, and extensive as ever. There's even a WorldPride-affiliated event here and there, including a two-day festival that will close out May in surely the gayest way ever up at Strathmore. But don't think for a second that the Gay Men's Chorus of Washington is gonna take that lying down. In fact, for WorldPride, the organization's many choristers are planning to do a whole lot of popping up, all over the city, for two full weeks. And wouldn't you know it, they're even calling in reinforcements from all over the country.
Not for anything I've said over the course of our lively hour-long phone interview one recent Saturday, but for this magazine's past transgressions.
This issue, you see, marks Cho's fourth appearance on a Metro Weekly cover in three decades, and I'm sheepishly begging forgiveness for how we handled the previous headlines, bastardizing her last name for the sake of a pun.
Β Β Β Β Β Β "Cho-Zen."
Β Β Β Β Β Β "On With the Cho."
Β Β Β Β Β Β "Cho Girl."
"It's all good," she laughs, taking it in stride. One thing about Margaret Cho is that she doesn't offend easily, if at all.
Defying the adage that the lady needs no introduction, Bruce David Kleinβs captivating documentary Liza: A Truly Terrific Absolutely True Story extends a four-minute introduction to its larger-than-life subject Liza Minnelli before the film truly enters the breach, touching down on June 22, 1969, the day her mother Judy Garland died.
In the midst of the preamble performance clips -- presenting Liza as a gangly ingenue onstage with her mother, and as a superstar commanding the worldβs stages on her own -- Klein runs amusing outtakes of Liza, present-day, sitting for interviews but not at all passively. Dressed in head-to-toe black, her trademark pixie cut topped by a newsboy cap, she commands the room tenaciously, directing the cameraman on how to shoot her.
These are challenging times for news organizations. And yet itβs crucial we stay active and provide vital resources and information to both our local readers and the world. So wonβt you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each weekβs magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
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