Both are part of the LGBT community, though Grey is a more recent addition, having publicly come out last January.
Both own small dogs — Grey, a Chihauhua named Nicky and Cumming, a Chihuahua-Rat Terrier mix named Jerry.
Both have written memoirs. Cumming’s — Not My Father’s Son — was published in 2014 while Grey’s — Master of Ceremonies — reaches Amazon in a few weeks.
Both have found success on television. Grey has enjoyed almost 60 years of television appearances, including guest arcs on both Alias and Buffy the Vampire Slayer, while Cumming has brought to life, with brilliant, vivid nuance, the Emmy-nominated role of Eli Gold on CBS hit The Good Wife.
Both have had astonishing stage careers. Grey originated the role of The Wizard of Oz in Wicked and Amos Hart in Chicago, while Cumming has played in everything from Hamlet to Bent to The Threepenny Opera. But their Broadway link lies with Kander and Ebb’s classic Cabaret: Each won a Tony Award for playing The Emcee. Grey originated the showy — and show-stopping — part in the original Broadway production in the ’60s (and later in the 1972 film, for which he took home an Oscar). Years later, in 1998, Cumming won a Tony for darker, more sexualized take on the part.
And both are coming to our city: Cumming, 51, will be at Strathmore on Valentine’s Day — Sunday, Feb. 14 — with his critically heralded cabaret, Alan Cumming Sings Sappy Songs, while the 83-year-old Grey will settle into the Historic Sixth & I Synagogue on Feb. 23, for an in-depth conversation about his book, his life, and his remarkable career.
"Creative Cauldron is kind of like an everything bagel," says Matt Conner. "There literally is something there for everybody -- all ages, all incomes. They really, really have a great diverse program."
A locally beloved, non-traditional theater specializing in musicals and cabarets with a strong educational outreach arm, Creative Cauldron has been a foundational perch for Conner for nearly 25 years. The Helen Hayes Award winner currently serves as associate artistic director and, in addition to writing seven musicals with his partner Stephen Gregory Smith for the company, has directed roughly 30 productions.
Lio Cundiff was sitting on a bench near Chicago's Belmont Harbor on February 18, talking on the phone with his aunt, when he looked up to see a woman screaming and chasing a baby stroller rolling toward the water after being carried off by the wind.
The National Weather Service had warned of sustained winds of 20 to 30 miles per hour, with gusts reaching 50. The force of the wind sent the stroller -- carrying an 8-month-old girl -- into the lake.
While the baby’s mother stood in shock, Cundiff, a 31-year-old Chicago transgender man and server at the local restaurant Oak and Honey, jumped into the lake and swam to the stroller, despite not knowing how to swim. He fought to keep the infant from slipping beneath the surface.
"What inspires me? People," says costume designer Emilio Sosa, connecting via Zoom from his workspace in rehearsals for Manhattan Theatre Club's upcoming drama The Balusters, by David Lindsay-Abaire.
"I'm a huge people watcher, which in New York could be a little tricky because you can't look at anyone more than two seconds or they'll ask you, 'What you looking at?!' But people inspire me, because, just like the saying, life is stranger than fiction."
Born in Santo Domingo, Dominican Republic, and raised in New York's South Bronx, Sosa is living a life emblematic of the phrase. Familiar to reality TV audiences for his two high-impact seasons as a contestant on Project Runway, the former assistant wardrobe supervisor for the Alvin Ailey Dance Company has long since transcended his relative success on the TV franchise through his formidable work on theater stages.
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