Broadway
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Bottle Service: ‘Days of Wine and Roses’ (Review)
The new contemporary musical "Days of Wine and Roses" explores a fraught romance bound together by the bottle.
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‘Prayer for the French Republic’ is Too Sprawling for Its Own Good
Suffused with great intentions, Joshua Harmon's thoughtful "Prayer for the French Republic" is far too excessive in its telling.
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‘Harmony’ on Broadway: Sensational Sextet
Barry Manilow and Bruce Sussman's "Harmony" dramatizes an all-male singing group that took the world by storm.
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‘Monty Python’s Spamalot’ on Broadway: Knights Out
Monty Python's classic British send-up is revived to moderately entertaining measure
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‘Merrily We Roll Along’ Broadway Review: Reversal of Fortune
A much beloved Sondheim classic, "Merrily We Roll Along," returns to the New York stage with a brilliant new production.
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‘Purlie Victorious’ Broadway Review: Heavenly Hope
The classic play "Purlie Victorious" is revived with magnificent comic flair, carrying a message of unity for the human race
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‘Swing State’ Off-Broadway Review: State of Concern
The new Off-Broadway play "Swing State" serves up a potent warning about America's volatility.
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‘Dracula: A Comedy of Terrors’ Review: Camp Blood
Gordon Greenberg and Steve Rosen's zippy and zany "Dracula: A Comedy of Terrors" hits all the right comic veins.
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‘The Shark is Broken’ Broadway Review: Shark Weak
A theatrical spin on a famous blockbuster film offers strong performances but rarely delves beneath the surface
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‘Back to the Future’ Broadway Review: Bleak Future
Broadway's latest attempt to adapt a classic movie for the stage puts visual excess over actual substance.
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‘The Cottage’ Review: Failed Farce (Broadway)
Females may get the upper hand, but the audience is dealt a deck of duds in the tiresome farce, "The Cottage."
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‘Here Lies Love’ Broadway Review: Murder on the Dance Floor
David Byrne's fabulous Broadway musical revisits the recent, dark past of polarizing Filipino figures.
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‘Triple Threat’ and ‘Just For Us’ Reviews: Two About One
Two solo shows, "Triple Threat" and "Just for Us," are provoking New York audiences with their fresh takes on identity and belonging.
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“Once Upon a One More Time” Review: Spears Fishing
The Britney Spears musical with roots in fairy tales and female empowerment finally finds its way to Broadway.
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‘Grey House’ Review: Hell and Havoc
A new Broadway thriller forces its characters to face transgressions, fears, and regrets from days gone by.
