Timothée Chalamet stars as Bob Dylan in "A Complete Unknown," a biopic that struggles to make the folk legend knowable.
Aaron Taylor-Johnson struts and scowls through Sony’s haphazardly-assembled franchise nonstarter "Kraven the Hunter."
Luca Guadagnino’s sultry, surrealist "Queer" intrigues and arouses, but just misses the spot.
Ridley Scott's late-coming sequel "Gladiator II" stakes few claims to necessity, but the action epic definitely entertains.
Cynthia Erivo's impassioned performance is the most real thing in the artificial Oz of Jon M. Chu's CGI-heavy "Wicked"
The documentary "Luther: Never Too Much" layers its comprehensive bio of Luther Vandross with an astute history of R&B.
A musical, a crime thriller, a trans romance that never mentions the word trans, "Emilia Pérez" is its own special creation.
Ralph Fiennes serves understated excellence leading a strong ensemble in the scandal-fueled, Vatican-set thriller "Conclave."
Sean Baker's "Anora" spins a savvily subversive Cinderella story featuring Mikey Madison's glowing performance in the title role.
Sebastian Stan captures the gestalt of Trump's ego, ambition, and bluster in Ali Abbasi's biting biopic "The Apprentice."
Francis Ford Coppola's $120-million misfire presents an ambitious vision of the future with a vagueness at its core.
Gaga and Phoenix are great, but the audacious musical character study "Joker: Folie à Deux" doesn’t really go anywhere.
The strange and original A Different Man treads a surprisingly thin line between comedy, romance, and gross-out thriller.
This fall, Hollywood is hoping to keep the box office humming with Oscar bets and big stars.
Michael Keaton is in fine form in Tim Burton's "Beetlejuice Beetlejuice," a morbid, fitfully funny feast for the eyes.