The documentary "Luther: Never Too Much" layers its comprehensive bio of Luther Vandross with an astute history of R&B.
A musical, a crime thriller, a trans romance that never mentions the word trans, "Emilia Pérez" is its own special creation.
Ralph Fiennes serves understated excellence leading a strong ensemble in the scandal-fueled, Vatican-set thriller "Conclave."
Sean Baker's "Anora" spins a savvily subversive Cinderella story featuring Mikey Madison's glowing performance in the title role.
Sebastian Stan captures the gestalt of Trump's ego, ambition, and bluster in Ali Abbasi's biting biopic "The Apprentice."
Francis Ford Coppola's $120-million misfire presents an ambitious vision of the future with a vagueness at its core.
Gaga and Phoenix are great, but the audacious musical character study "Joker: Folie à Deux" doesn’t really go anywhere.
The strange and original A Different Man treads a surprisingly thin line between comedy, romance, and gross-out thriller.
This fall, Hollywood is hoping to keep the box office humming with Oscar bets and big stars.
Michael Keaton is in fine form in Tim Burton's "Beetlejuice Beetlejuice," a morbid, fitfully funny feast for the eyes.
The documentary Lover of Men makes a compelling case that Abraham Lincoln really enjoyed the company of men.
Debut filmmaker Zoë Kravitz serves up laughs and suspense in the blood-soaked, rich-folks-are-not-like-us thriller "Blink Twice."
In "Close to You" Elliot Page masterfully plays a prodigal son returning home for the first time since he transitioned.
Hunter Schafer talks about her alarmingly brutal new horror film "Cuckoo," as well as where she would eventually like to land in her career.
A high school athlete is beset by secret crushes and anti-gay hysteria in the conversion therapy thriller "Ganymede."