Film
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Golden Globes 2019: Pose, The Favourite, Assassination of Gianni Versace among LGBTQ nominees
Killing Eve, A Very English Scandal, Boy Erased, and Will & Grace also nominated
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“Roma,” “A Star Is Born” lead winners at DC Film Critics awards
Alfonso Cuarón's lush new drama won four top honors, while Bradley Cooper and Lady Gaga took acting.
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Film Review: The Favourite
The struggle for power in Queen Anne's court is caustic, kinky, and a bit repetitive in "The Favourite"
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Film Review: Creed II
The son of Creed battles the son of Drago in a sequel that basically refreshes "Rocky IV"
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Five reasons why Fantastic Beasts 2 doesn’t work
From queerbaiting to a stretched racism allegory, here's everything wrong with J.K. Rowling's latest film
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Film Review: El Angel
Sexual tension permeates the true-crime tale of Argentina's most notorious serial killer in "El Angel"
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Film Review: Steve McQueen’s “Widows”
A heist thriller with gravitas, Widows is overstuffed but still satisfying
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Film Review: Boy Erased
Come for the Oscar-caliber performances, stay for the harrowing gay conversion journey of "Boy Erased"
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Film Review: Matt Tyrnauer’s “Studio 54”
The hip and haunting documentary Studio 54 digs into the legend of New York's hottest nightclub
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Film Review: Can You Ever Forgive Me?
Melissa McCarthy and Richard E. Grant star as a devious pair of con artists in the entertaining "Can You Ever Forgive Me?"
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Rowan Atkinson on returning to Johnny English and his love of comedy
The British comic genius brings his hilariously inept secret agent back to cinemas on October 26
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Film Review: Halloween
David Gordon Green's "Halloween" picks up forty years after the original, and is only half as scary
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Film Review: “First Man” presents a thoughtful account of a thrilling space race
"First Man" eschews spectacle for a reflective portrait of pioneering astronaut Neil Armstrong
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Film Review: Bad Times at the El Royale
A dynamite thriller with a stacked cast and a smart script, "Bad Times at the El Royale" delivers a ferociously good time
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The Oath’s Ike Barenholtz: “Our current political ecosystem is absurd”
Politics and mayhem make strange but hilarious bedfellows in Ike Barinholtz's dark comedy "The Oath"
