Steven (Jim Carrey) is living the American dream: a wife, a kid, a job as the church organist, and gay sex on the side. A...
''We've had a successful same-sex relationship for 23 years,'' says John Requa of his partner, Glenn Ficarra. Perhaps some clarification is needed -- his screenwriting...
It may seem strange to trade in the professional wrestling ring for ballet shoes, but that's just what director Darren Aronofsky has done. Don't worry,...
Mary Lou, a four-episode Israeli musical miniseries, directed by Eytan Fox, is a cross between a gay version of Mamma Mia and Glee -- in...
Burlesque is like a sequin. It's shimmery. It looks best from a distance. It's flat and kind of cheap. And it will likely end up...
You're a tease, Harry Potter. That's right, you heard me. A great big wizard tease. Just when things really get rolling in Harry Potter and...
To quote the 1984 Deniece Williams song from the Footloose soundtrack, let's give the boy a hand, because James Franco's performance in 127 Hours is...
Howl is a piece of art. The statement is true for both the poem by Allen Ginsberg and the film from co-directors Rob Epstein and...
Last year it was The Blind Side. This year it’s Conviction. That feel-good, based-on-a-true-story film that allows established stars to flex their acting muscles by...
Bears on a soapbox – that's the most concise way of describing the preachy BearCity, about finding love in the wild woods of New York...
More than 16 years ago, Doug Langway stood across the street from a New York bear bar wondering if he had the guts to go...
In the '80s, Joel Hodgson was in his 20s living in L.A., working the stand-up comedy circuit. He was offered a sitcom. He turned it...
Facebook is either the greatest contribution to social networking or, according to Betty White, the greatest time suck ever invented. Whatever you think it is,...
Let Me In is not your average tween's vampire movie. There are no lingering shots of over-primped adolescents with rippling abs. No angst-filled scenes of...
There can be an inherent danger in movie titles. It's the risk of being saddled with a title that critics can easily twist around with...