We're giving away a pair of tickets to the Saturday, May 4, 8 p.m. performance of "Webster's Bitch" at Keegan Theatre in D.C.
Vera Drew's audacious trans-themed spoof "The People's Joker" finally hits screens, and she's as shocked as anyone.
Arena's new musical "Unknown Soldier" excavates memory and history to poignantly portray a love gone but not forgotten.
The recently minted Grammy winner Brandy Clark continues a banner year with a series of intimate concerts.
For three decades, Wilson Cruz has been combining acting with activism to ensure that the next generation thrives.
The director, who is committed to showcasing 'Black joy,' helms a new production of the Pulitzer-winner at Baltimore Center Stage.
Like a day-old bagel, "The Outsiders" is only a sufficient Broadway musical if you're absolutely starved for options.
The impressive qualities of "Nancy" add up to only a mildly satisfying whole for Mosaic Theater's world-premiere satire.
Anchored by Michael Russotto’s passionate lead performance, "The Nance" renders a bountiful, bittersweet ode to burlesque.
A riveting account of a divided nation at war, Alex Garland’s "Civil War" cops out by remaining too vague in the details.
Katy O'Brian thrills in the new lesbian thriller "Love Lies Bleeding," as a bodybuilder who finds her soulmate and purpose.
For his "Most Wanted Tour," Bad Bunny embraced the persona of a Western-style outlaw on the run, even riding in on a horse.
Stand-up comic Modi is genuinely excited about bringing his "Know Your Audience" tour to D.C.'s Kennedy Center.
"The Who's Tommy: delivers all the goods in a thrilling production starring Ali Louis Bourzgui, a superstar in the making.
'Femme' stirs sex and romance with revenge in the charged tale of a gay man seducing the closeted punk who attacked him.