Arts + Entertainment
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Seth Kibel & Friends at the Edlavitch DCJCC
Seth Kibel's musical brunches at the Edlavitch DCJCC are as popular for the Klezmer repertoire as the kosher buffet
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Review: “Something Rotten!” shines at National Theatre
Something Rotten! is wicked good at lampooning both musicals and Shakespeare with love
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Review: “La Foto” at GALA Theatre feels “underexposed”
The cast keeps it fun, although not enough develops in "La Foto: A Selfie Affair"
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“No Word in Guyanese for Me” finds new timeliness in the era of #MeToo and Trump
Wendy Graf's play focuses on a gay Muslim woman trying to reconcile her faith with her sexuality
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Daniela Vega is ready for her close-up in “A Fantastic Woman”
Vega's magnetic performance lights up the critically lauded tale of a transgender woman reclaiming her own story
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Review: “A Fantastic Woman” is penetrating and poignant
A determined trans woman fights for her right to mourn her lover in the riveting "A Fantastic Woman"
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Out on the Town: D.C. Arts and Entertainment — February 8-14
Everything arts and entertainment this week in D.C. and beyond!
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Spotlight: Upcoming events in D.C — February 8-14
Highlights from everything arts and entertainment in D.C. this week!
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Drag queen Courtney Act wins Celebrity Big Brother in Britain
Act beat conservative anti-LGBTQ politician Ann Widdecombe to claim the crown
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Dragon Boat Racing is ready to dazzle at the Kennedy Center
An epic, culturally resonant Chinese ballet aims to delight American audiences
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Randy James brings his 10 Hairy Legs to Dance Place
With 10 Hairy Legs, Randy James strives to dispel the myth that all male dancers are gay
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Review: “Hamlet” at Shakespeare Theatre is an absolute must-see
Michael Urie commands the stage in Michael Kahn's deeply elegant, daring production of "Hamlet"
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Review: Jefferson’s Garden at Ford’s Theatre
"Jefferson's Garden" harvests humor and pathos with its spirited exploration of Revolutionary War history
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Reviews: Signature’s “4,380 Nights” and Keegan’s “Unnecessary Farce” bog down in needless extras
Signature Theatre's "4,380 Nights" stumbles over lengthy monologues, while Keegan Theatre's "Unnecessary Farce" is just far too much
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Kristine Nielsen brings her formidable comic prowess to the Folger’s intimate space
When Theresa Rebeck called, Kristine Nielsen dropped everything to star in Way of the World
