Arts + Entertainment
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Brendan Maclean: Hugs Not Drugs (Or Both) (review)
Hugs Not Drugs (Or Both)
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Clubland Decadence: Pet Shop Boys “Super” (review)
Pet Shop Boys are aiming for the dancefloor rather than the charts, but Super is still pretty superb
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The Simpsons “The Burns Cage” (review): Smithers comes out
Smithers' big coming out story is a rushed, messy affair, but it treats his sexuality with welcome nonchalance
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True Romance: Smithers finally comes out
Smithers finally gets his gay day on The Simpsons
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The wonderful Lynda Carter returns tonight to the Kennedy Center
Carter brings her acclaimed show, "Long-Legged Woman," back for an encore round
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Adore Delano’s “After Party” (review)
Adore Delano's "After Party" is swaggering, alcohol-swigging, sexually-swinging and absolutely irresistible
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Progressive Playwright: Robert Schenkkan
"All the Way" scribe Robert Schenkkan is convinced that progress in LGBT rights is inevitable
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Fine Dance: Pontus Lidberg
Library of Congress offers Pontus Lidberg's new dance work, set to Irving Fine
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Watch Men: 1984 (review)
Shakespeare Theatre's 1984 is constrained by the source material's faults, but is still an enthralling concept piece
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Schooled in Rock: American Idiot (review)
With American Idiot, Keegan Theatre has staged another inspiring rock musical
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Gwen Stefani: This is What the Truth Feels Like (review)
Gwen Stefani's return to solo work retreads familiar ground in a bid for authenticity with "This is What the Truth Feels Like"
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The Real Deal: The Real O’Neals (review)
"The Real O'Neals" is a gay-centric sitcom that doesn't stray far from ABC's tried-and-tested formula
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Got a Light: Light City Baltimore
Light City Baltimore, an illumination and innovation festival, launches next week
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Instrument Free: Aca-Challenge at the Lincoln Theatre
Aca-Challenge offers a rare, prominent showcase for a cappella groups
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Olney and Round House team up for Angels in America
Tony Kushner's landmark plays will be co-produced by the two theater companies
