Bells are ringing with queer love and romance in Andrew Ahn's funny, if formulaic, re-do of "The Wedding Banquet."
In "Construction Nudes 1981-1985," renowned photographer Blake Little surveys the beauty of anatomy and architecture.
George Clooney, making an impressive Broadway debut, is a measured, grounded, and believable Edward R. Murrow.
'Succession's' Sarah Snook arrives at the Music Box Theater, bringing all 26 of the Oscar Wilde novel's characters along for the ride.
Mosaic’s "cullud wattah" offers a vibrant staging of a tragic drama about the injustice of the Flint, Michigan water crisis.
Alain Guiraudie's queer thriller "Misericordia" subverts its simple domestic setup with secrets, lies, and hidden desire.
The Shakespeare's brilliant new "Uncle Vanya" is rooted in the past but streaked with a modern sensibility.
Acclaimed for a distinctive style of brooding, droll pop, singer John Grant talks about Elton John, Allen Schindler, MAGA, and so much more.
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Branden Jacobs-Jenkins' exceptional new family drama "Purpose" overflows with complexity and emotional depth.
A barrage of racial epithets, mean speech, and misogyny permeates David Mamet's "Glengarry Glen Ross," in its third Broadway revival.
A blandly sweet gay romance, "A Nice Indian Boy," starring Karan Soni and Jonathan Groff, looks great but lacks buoyancy.
Rey Arzeno and Eric Guerrero's interpretations of superheroes as gay beefcake are highly stylized works, bursting with color and vibrancy.
Theater Alliance's taut drama "American Fast" captures the high-pressure life of a women's college basketball sensation.
As Arthur Broussard, "Mid-Century Modern's" Nathan Lee Graham slays the assignment in his own inimitable style.
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