The Gay Men's Chorus of Washington's season-closing concert, "Portraits," is the group's most thrilling and ambitious project yet.
"Enjoy Youth," Bright Light Bright Light's latest album, is a master class in buoyant, vibrant, glorious dance-pop.
"Disco: Soundtrack of a Revolution" captures the rise, fall, and rebirth of disco from all the right angles.
The queer cheerleader drama "Backspot" nails the vibe of suburban teen life all too well with its low-stakes character study.
As the sprite with a mischievous streak, Zack Powell is having the time of his life in Everyman Theatre's "A Midsummer Night's Dream."
Gorgeous musical moments mark the moving story of an immigrant father and gay son in "Where the Mountain Meets the Sea."
Following roles on Broadway and his film debut in "Maestro," Jordan Dobson lets the love flow in Signature's splendid "Hair."
JoJo Siwa is teasing her next single, "Choose Ur Fighter," shortly after her most recent song "Karma" failed to become a real hit.
A dynamic duo of performers bridge hip-hop and history to drop indelible knowledge in Mosaic's rousing rap musical "Mexodus."
Monét X Change aims to bust through drag's glass ceiling with her new R&B album "Grey Rainbow, Vol. 1."
The Washington National Opera's "Turandot" creates a new ending for the Puccini masterwork, but the production feels lacking.
Ashley Hoff spins his fascination with a camp classic into a page-turning book on its making in "With Love, Mommie Dearest."
"Furiosa" supplies more high-octane Mad Max action, but can’t replicate the thrilling relentlessness of predecessor "Fury Road."
The Folger's "Metamorphoses" charts a fantastic voyage through myth and time, and in brilliantly engaging company.
As sassy, Southern housewife Dixie Longate, actor Kris Andersson has been singing the praises of Tupperware for years