Arlington’s Artisphere turns a year old this weekend with a celebration featuring original art, music and off-beat arts activities. The arts complex commissioned local artist...
We’ve got tickets to give away for St. Vincent at the 9:30 Club. Enter below. Follow @metroweekly
Writer and poet Kimberly Dark aims her new solo show Good Fortune to be “as spontaneous and individualized as a tarot card reading.” For the...
Who’s Afraid of Post-Blackness?: What It Means to Be Black Now is a provocative new book from the mono-named journalist and author tackling what it...
Ballet Costumes Exhibition offers a Kennedy Center salute to the 10th anniversary of its resident company the Suzanne Farrell Ballet. The exhibit offers a glimpse...
Henry Rollins is a D.C.-native punk rocker, a spoken word artist, a frequent TV show host, and, last but not least, a vigorous LGBT ally....
We’re giving away a handful of Frankmusik’s new CD, Do It in the AM.” Enter below. More contests at metroweekly.com/win. Follow @metroweekly
The Center, D.C.’s LGBT community center, and Tongue in Your Ear present a multi-part series led by Regie Cabico of HBO’s Def Poetry Jam and...
Mikey Cafarelli and Paul Scanlan play D.C. interns in Two Guys…Become Interns, a funny and touching new musical revue from Mark Walter Braswell that “reveal...
Amy Ray and Emily Saliers — aka The Indigo Girls — have been at it for well more than two decades now, but the popular...
We’re giving away a pair of tickets to Owl City, appearing in November at the 9:30 Club. Enter all our current contests at metroweekly.com/win.
Leave It on the Floor is a musical film about a black gay boy who discovers the Los Angeles ball scene after being thrown out...
Walking the line between comedy and tragedy is tricky. How can filmmakers draw out the appropriate emotions from their audiences? When do those triggers inspire...
The Phillips Collection’s new exhibition Degas’s Dancers at the Barre: Point and Counterpoint traces impressionist master Edgar Degas’s devotion to ballet as represented in his...
Almost anytime a particular scene calls for dramatic, downright scary music, Hollywood instinctively turns to the opening number, “O fortuna,” in Carl Orff’s Carmina Burana....