Impressive singing and stagecraft spark a lit and lively 'Les Miz' at the Kennedy Center.
'Disney's Aladdin,' flying carpet, opulent costumes and all return to D.C. for a stint at the National Theatre.
Playwright Mary Kathryn Nagle ably carries 'On the Far End' with a commanding solo performance as Muscogee leader Ella Jean Hill.
The LGBTQ playwright, whose work is largely centered on situations in the Middle East, returns to Mosaic with 'Unseen.'
Mosaic's 'Unseen' captures nuances of bearing witness to war and suffering, but its heroine doesn't come fully into focus.
Aya Ogawa's The 'Nosebleed' is intelligent and amusing, but it leaves little space for its more compelling themes.
A brilliant concept impeccably executed, 'The Jungle' immerses audiences in the stirring drama of a migrant camp under threat.
Rorschach's revisionist fairy tale 'Sometimes the Rain, Sometimes the Sea' makes for airy, witty romance and often soggy farce.
Arena’s powerful 'Angels in America, Part One' goes big, matching the colossal scale of Tony Kushner’s epic chronicle of a plague.
Signature's evening celebrating the legendary Chita Rivera was filled with enthralling musical moments and poignant personal tributes.
There is an abundance of great shows and musicals presently filling D.C.'s stages as the second half of the season kicks into high gear.
Keegan Theatre's Boiler Room series offers support and a stage for new and unique performances and performers.
The 'My Fair Lady' tour is based on the recent Tony-nominated Broadway revival directed by the masterful Bartlett Sher.
Variety called 'Tiny Beautiful Things' "a theatrical hug in turbulent times."
Despite Patrick Page's pulsar-like charisma in the titular role, 'King Lear' never quite comes together in a satisfying whole.