Rotimi Agbabiaka plays a queer, gender-fluid King Oberon in Folger Theatre's 'A Midsummer Night's Dream.'
The Door Ministries of McAllen produced an unauthorized version of 'Hamilton' that included religious and homophobic rhetoric.
A stirring biography embedded in a staid musical, Arena's "American Prophet" brings the fire of Frederick Douglass.
The Folger's pared-down 'Midsummer Night's Dream' results in a production that never quite sees the forest for the trees.
"We have everything from prop plants to people as plants, because that's how I roll," says playwright Feldman.
Attendees can expect 'seven rounds of flimflam fisticuffs.' Also, there will be puppets.
Monumental's pulsing, immersive "tick, tick...BOOM!" captures young artists treading the line between depletion and devotion.
From the return of Hamilton and Second City zaniness to Blue Man Group and Ben Folds, the Kennedy Center has a bit of everything.
'Chemical Exile: Synthesis' is a stand-alone production, but it ties in with a year's worth of interactive productions.
The Capital Fringe Festival returns with two weekends of eclectic performances, all from vacant stores in Georgetown.
Fresh off its Tony win, the imaginative and original "SIX" has settled into the National Theatre for a two-month run.
Queer playwright Benjamin Benne puts God in the details of "In His Hands," his provocative new gay, interfaith romance.
The musical, which won Tonys for Best Musical, Book, Score, Actor, Actress, and Direction, plays through Sunday at the KenCen.
Studio's "The Hot Wing King" piles more hot topics on its menu than an entire season of "Good Times."
'Red Velvet' focuses on an 1833 milestone when Ira Aldridge became the first Black actor in history to portray 'Othello.'