A witty satire of corporate culture, Signature's "No Place to Go" proves a rich showcase of star Bobby Smith's impressive range.
“Old Stock is a music/theater hybrid, a concert klezmer/folk fusion,” says director Christian Barry. “It should feel a bit like the circus is coming to...
Cirque du Soleil's "Kurios: Cabinet of Curiosities" serves up a high-flying, steampunk spectacle under the Big Top at Tysons II.
Anthony Norman takes on the title role in the current national tour of 'Dear Evan Hansen' now at the Kennedy Center.
Signature’s stellar 'The Color Purple' wrings every triumph and tear out of Alice Walker’s beloved Black feminist saga.
Rotimi Agbabiaka plays a queer, gender-fluid King Oberon in Folger Theatre's 'A Midsummer Night's Dream.'
The Door Ministries of McAllen produced an unauthorized version of 'Hamilton' that included religious and homophobic rhetoric.
A stirring biography embedded in a staid musical, Arena's "American Prophet" brings the fire of Frederick Douglass.
The Folger's pared-down 'Midsummer Night's Dream' results in a production that never quite sees the forest for the trees.
"We have everything from prop plants to people as plants, because that's how I roll," says playwright Feldman.
Attendees can expect 'seven rounds of flimflam fisticuffs.' Also, there will be puppets.
Monumental's pulsing, immersive "tick, tick...BOOM!" captures young artists treading the line between depletion and devotion.
From the return of Hamilton and Second City zaniness to Blue Man Group and Ben Folds, the Kennedy Center has a bit of everything.
'Chemical Exile: Synthesis' is a stand-alone production, but it ties in with a year's worth of interactive productions.