Stage
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Cover Story: Director Alan Paul on taking flight with Peter Pan and Wendy
With "Peter Pan and Wendy," Alan Paul helps to reshape a treasured classic and reimagines it for a new generation
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Theater Review: ‘Eureka Day’
Mosaic's season of "progressives behaving badly" takes a sharp left turn with "Eureka Day"
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At Home with John Waters
The legendary icon on A John Waters Christmas, his book collection, his parents, and why it's going to be so hard to beat Trump
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Theater Review: ‘She the People’ at Woolly Mammoth
Second City's She the People is a full-scale comic outrage at everything society expects of women
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Theater Review: Murder on the Orient Express at Everyman
"Murder on the Orient Express" is a stilted rendering of one of the great mystery writer's most transporting tales
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Theater Review: “The Woman in Black” at The Shakespeare
"The Woman in Black" owes much to old-fashioned stagecraft, but it takes its time getting where it's going
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Theater Review: Curious Incident at Round House
A seamless lead performance is just one of many revelations in Round House's "The Curious Incident"
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Samuel Adams on playing Mozart in ‘Amadeus’
Mozart was "a pretty interesting, different kind of guy," says the star of Folger's 'Amadeus.'
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Gallery: GMCW’s Special Holiday Show Dress
What's behind the massive Christmas tree dress for the GMCW Holiday Show
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Review: Olney’s Singin’ in the Rain
Better danced than sung, Olney's "Singin' in the Rain" brings the beloved film classic to life on stage
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Review: Factory 449’s ‘Agnes of God’
Factory 449 puts forth an impassioned, if occasionally overwrought, "Agnes of God"
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Review: ‘Amadeus’ at Folger Theatre
Folger's "Amadeus" offers an entertaining flight of historical fancy in the fictitious battle of Salieri v. Mozart.
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Review: ‘A Chorus Line’ at Signature Theatre is simply terrific
Everything is beautiful at Signature's high-kicking production of "A Chorus Line"
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DC Theater Review: Blue Camp
Rainbow Theatre Project's production of "Blue Camp" doesn't deliver the play's compelling premise
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The King’s Man: REP Stage’s ‘E2’ offers a queer, modern spin on an English king
Playwright Bob Bartlett reimagines the queer classic Edward II as a modern scandal of sex, lies, and video
