Ben Platt on his new record "Honeymind," what "Evan Hansen" gave him, and his charming husband-to-be, Noah Galvin.
Constellation's "Is God Is" blends metaphor with blood-soaked violence in an offbeat, sometimes clunky revenge tale.
Playwright Rachel Lynett takes a blistering look at America's most powerful woman in "Letters to Kamala/Dandelion Peace."
Step Afrika! stomps up a storm with grace and precision in the uplifting epic "The Migration" at Arena Stage.
Bold ingenuity drives 1st Stage's "Postcards from Ihatov," a transporting visual play that doesn't fully gel.
Round House's "Topdog/Underdog" is a passionate examination of the simple human wish to not just survive, but to thrive.
As the sprite with a mischievous streak, Zack Powell is having the time of his life in Everyman Theatre's "A Midsummer Night's Dream."
Gorgeous musical moments mark the moving story of an immigrant father and gay son in "Where the Mountain Meets the Sea."
Following roles on Broadway and his film debut in "Maestro," Jordan Dobson lets the love flow in Signature's splendid "Hair."
A dynamic duo of performers bridge hip-hop and history to drop indelible knowledge in Mosaic's rousing rap musical "Mexodus."
The Folger's "Metamorphoses" charts a fantastic voyage through myth and time, and in brilliantly engaging company.
As sassy, Southern housewife Dixie Longate, actor Kris Andersson has been singing the praises of Tupperware for years
Rife with sensuality, song, and message, Signature's "Hair" is performed by an ensemble nothing short of glorious.
Drag theater troupe Highball Productions gets ready to premiere "Shecago," its latest "live drag musical" at JR.'s Bar & Grill.
A queer writer-performer seeks common ground with his traditional Pakistani mom in Adil Mansoor's engaging "Amm(i)gone."