From musicals to madness, from horror classics to classic Shakespeare, from compelling drama to comedy tonight, D.C.-area stages have it all.
The well-oiled ensemble cast is the crowning glory of Arena's uproariously funny "JaJa's African Hair Braiding."
Playwright Branden Jacobs-Jenkins takes our souls for a spin in "The Comeuppance," the masterful season opener at Woolly Mammoth.
GALA Theatre's "The 22+ Weddings of Hugo" weaves an engaging mystery from the real-life tale of a serial bigamist.
Roz White illuminates Billie Holiday's blues in Mosaic's moving production of "Lady Day at Emerson's Bar & Grill."
A new immersive experience conquers New York as beautifully and boldly as a Bull Market.
David Henry Hwang's musical satire "Soft Power" confronts America's political division with biting wit and romance.
Keegan's "Noises Off" hits its marks with zeal, yet doesn't achieve the high-flying heights of truly hilarious farce.
It's murder on the dance floor, and all over the stage, in Monumental's delightfully demented "American Psycho."
Studio Theatre revives George C. Wolfe's pungent satire "The Colored Museum" in a hilarious new production.
Generational and ideological differences cause riffs in the House in Mario Correa's sharp, contemporary "N/A."
Newcomer Katerina McCrimmon puts her own zesty stamp on the 'Funny Girl' tour, now at the Kennedy Center Opera House.
Andrew Lloyd Webber's beloved musical gets a glamorous makeover, brilliantly celebrating the queer ballroom scene.
Ben Platt on his new record "Honeymind," what "Evan Hansen" gave him, and his charming husband-to-be, Noah Galvin.
Constellation's "Is God Is" blends metaphor with blood-soaked violence in an offbeat, sometimes clunky revenge tale.