Stage
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DC Theater Review: Signature’s sublime ‘Spunk’
"Spunk" magnificently winds its way through three Zora Neale Hurston short stories
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2019 Helen Hayes Awards Winners: Arena’s ‘Anything Goes’ and 1st Stage’s ‘Fly By Night’ emerge on top
The Helen Hayes Awards spread the love around, recognizing the best of D.C. theater across dozens of shows
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DC Theater Review: The Oresteia at Shakespeare Theatre
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
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DC Theater Review: The Children at Studio Theatre
Jeanne Paulsen and Naomi Jacobson enact a gripping tug-of-war between frenemies in Studio's vividly realized "The Children"
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DC Theater Review: Love’s Labor’s Lost at Folger Theatre
Folger's Love's Labor's Lost is a wonderful -- if uneven -- reimagining of Shakespeare's battle of the sexes
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Spotlight: Rep Stage’s “The 39 Steps”
A rapid-fire spoof of one of Hitchcock's most famous films
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Theater Review: “The White Snake” at Constellation Theatre
Solid stagecraft and storytelling serve Constellation's inventive production of "The White Snake"
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The Legacy of Michael Kahn: An Interview with the D.C. Theater Legend
All's well that ends well for the departing artistic director of the Shakespeare Theatre Company
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Theater Review: Olney’s ‘A Comedy of Tenors’
Everybody plays the fool in Olney's daft but apparently crowd-pleasing "A Comedy of Tenors"
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Theater Review: Signature’s ‘Grand Hotel’
"Grand Hotel" offers eye-popping design and a few fine performances amid a dry, jumbled delivery
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Theater Review: Arena’s ‘Junk’
Junk makes the world of banking genuinely interesting, but lacks any human connection
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Theater Review: P.Y.G. or The Mis-Edumacation of Dorian Belle
Tearrance Arvelle Chisholm's P.Y.G. preaches almost as much as it entertains
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Tiziano D’Affuso turns Into the Woods’ cow Milky White into something funny, poignant, and showstopping
D'Affuso: "I'm totally letting go and am having an absolute blast"
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Duke Ellington School pays tribute to Matthew Shepard with a production of ‘The Laramie Project’
The three-act play is crafted from hundreds of interviews with friends, family, and neighbors of Shepard
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Theater Reviews: ‘Native Son’ at Atlas and ‘columbinus’ at 1st Stage
Tense new productions of Native Son and columbinus explore toxic male rage, with varying degrees of success
