Kenneth Lin's Kleptocracy offers clever politics, but is let down by cheap imagery and a bland central performance
Keegan Theatre shines a spotlight on playwright Paula Vogel's brilliant love letter to her deceased brother
The ensemble of Ford’s Twelve Angry Men attacks the courthouse drama with all the subtlety of a WWE cage match.
Admissions lightly skewers white privilege, political correctness, and the race for diversity
The Rainbow Theatre Project's Jeffrey finds love but loses its sense of purpose
Acclaimed artist Tania El Khoury brings a singular interactive performance to Woolly Mammoth
Showcasing the monk's 17-year journey, the show represents an extraordinary achievement in multitasking
In 1995, Metro Weekly photographed Carol Channing for its cover. To honor the legend's passing, our interview appears online for the first time.
The new touring production features a breathtaking helicopter set-piece during the fall of Saigon
From dazzling musicals to gripping dramas, here are the best D.C.-area productions of 2018, as chosen by our critics
The Kennedy Center's zany slapstick comedy has earned Olivier and Tony Awards
Anat Gov's "Oh, God" ultimately wastes a promising premise by sticking solely to the Old Testament
David Ives' "The Panties, The Partner and The Profit" offers bold idea, but a dearth of laughs
Studio Theatre’s dark comedy Kings spins its own credible version of down-and-dirty politics.
The legendary director and national purveyor of pop trash culture puts his unique spin on the season