Stage
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Theater Review: ‘Masterpieces of the Oral and Intangible’ at Signature Theatre
Details and meaning get muddled in the post-catastrophe thinkpiece "Masterpieces of the Oral and Intangible"
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Theater Review: Monumental Theatre’s ‘Daddy Long Legs’
Monumental's "Daddy Long Legs" offers a refreshing taste of the modern in its old-fashioned fairy tale
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Folger’s ‘Confection’ offers an intimate, incredible theatrical and culinary experience
Third Rail stages an immersive work at the Folger that is as eye-opening as it is delicious
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Joe Calarco’s ‘Separate Rooms’ is far from a typical gay love story
Joe Calarco's newest play is a time-bending dramedy that also happens to be gay.
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Theater Review: ‘Oil’ at Olney Theatre mixes fossil fuels with mundane drama
Ella Hickson's "Oil" simmers and simmers without ever reaching a proper boiling point
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Editor’s Pick: GALA’s The Old Man, The Youth, and the Sea
GALA Hispanic Theatre presents the world premiere of a play it commissioned from Irma Correa, one of Spain’s rising young playwrights, who takes on the...
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Theater Review: Rorschach Theatre’s Reykjavík
Husbands and hustlers explore sex, love, and violence in the saucy but unsatisfying Reykjavík.
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Theater Review: Shakespeare Theatre Company’s Richard the Third
Shakespeare Theatre’s Richard the Third is fantastically devious and delightfully fun.
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Theater Review: Jessica Swale’s “Nell Gwynn” shows a woeful lack of imagination
Alison Luff delivers a star turn in Folger Theatre's "Nell Gwynn," but the gender politics feel stuck in the 1600s
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Theater Review: Constellation’s “The Master and Margarita” is overstuffed and undercooked
Edward Kemp's adaptation appears to be a bullet-point reduction of the original tale
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Theater Review: Ain’t Misbehavin’ at Signature Theatre
A vivacious cast weaves a seductive spell in Signature's spirited "Ain't Misbehavin'"
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Theater Review: The Brothers Size at 1st Stage
José Carrasquillo stages a moving tale of familial conflict in 1st Stage's "The Brothers Size"
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Pointless Theatre’s “Visions of Love” turns Charlie Chaplin into a puppet-starring theatrical spectacle
Pointless Theatre Company often adapts nontraditional works for the stage in an even more nontraditional way
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Theater Review: “Kleptocracy” at Arena Stage
Kenneth Lin's Kleptocracy offers clever politics, but is let down by cheap imagery and a bland central performance
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Keegan’s ‘The Baltimore Waltz’ is “a remarkable and stunning piece of theater”
Keegan Theatre shines a spotlight on playwright Paula Vogel's brilliant love letter to her deceased brother
