Stage
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Shakespeare Theatre Company picks Simon Godwin to succeed Michael Kahn as artistic director
British director succeeds Kahn, who has helmed STC since 1986, for the 2019-2020 season
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Gallery: The Costumes of Rep Stage’s “Sweeney Todd”
Designer Sarah Cubbage on the goth punk vibes of Rep Stage's new production
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Folger Theatre’s “Macbeth” gives Shakespeare a Restoration spin
The Folger Theatre unearths a rarely-performed 17th Century adaptation of one of Shakespeare's fundamental tragedies
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Shakespeare Theatre offers Romeo & Juliet for its 2018 “Free For All”
The annual event gives theater fans top dollar productions for free
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Nick Martin cracks open the nutty farce “Melancholy Play” for Constellation Theatre
"Melancholy Play" is "a perfect over-the-top exploration of what melancholy is"
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Rainbow Theatre’s “In the Closet” dares to be a different coming out story
Playwright Siegmund Fuchs looks behind the closed doors of the closeted mind
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Stage Review: Constellation Theatre’s “Melancholy Play: A Contemporary Farce”
Constellation opens their Epic Love season with the lovely longing of Melancholy Play: "A Contemporary Farce"
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Theater Review: The Color Purple at the Kennedy Center
"The Color Purple" offers a beautifully sung but static staging of a beloved story
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Stage Review: Dave at Arena Stage
The songs are a bit lackluster, but the comedy absolutely slays in Arena's movie-to-musical adaptation, "Dave"
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Capital Fringe’s soloists turn grown-up life-lessons into confessional comedy
PolySHAMory, Dangerous When Wet, and The Unaccompanied Minor are just a few of Capital Fringe's solo offerings
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Stage Review: Monumental Theatre’s “Pippin”
Monumental's Pippin serves up selfies and sass
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Stage Review: The Wonderful Wizard of Oz at Synetic Theater
Synetic’s Wonderful Wizard of Oz exhibits sparks of wondrous imagination but doesn’t quite make it over the rainbow
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Capital Fringe 2018: A Complete Guide to Every Show
A complete listing of all of 2018 Capital Fringe Productions, including LGBTQ highlights
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Capital Fringe is moving beyond its namesake festival to become an arts organization
Capital Fringe moves its annual festival to the Waterfront while it completely overhauls its its building
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Stage Review: Ain’t Too Proud at the Kennedy Center
A stellar quintet recreates The Temptations in the Broadway Bound Ain’t Too Proud at the Kennedy Center.
