Stage
-
Stage Review: Olney Theatre’s “On the Town”
A first-rate cast really cooks in Olney's snappy production of Leonard Bernstein's "On the Town"
-
Stage Review: Hamilton at the Kennedy Center
The Kennedy Center plays host to a brilliant, breathtaking tour of Lin-Manuel Miranda's groundbreaking "Hamilton"
-
Mona Mansour’s “The Vagrant Trilogy” explores how our choices impact the rest of our lives
"Vagrant Trilogy" runs to July 1 at Mosaic Theater
-
Stage Review: Other Life Forms at Keegan Theatre
Like a randy, late-night cable rom-com offering, Keegan's Other Life Forms amuses mildly
-
Stage Review: The Legend of Georgia McBride at Round House
An Elvis impersonator is transformed into a drag diva in Round House's entertaining "Legend of Georgia McBride"
-
Michael Urie was destined to play Bud Frump in “How to Succeed in Business”
Michael Urie likens playing Bud Frump to "a big bowl of ice cream"
-
Stage Review: “Botticelli in the Fire” at Woolly Mammoth
Woolly's "Botticelli in the Fire" offers both too much and too little in reimagining the Renaissance painter
-
Stage Review: “The Scottsboro Boys” at Signature Theatre
Kander and Ebb's "The Scottsboro Boys" gives a dark slice of American history that old razzle-dazzle
-
Rick Hammerly on his “Legend of Georgia McBride” character: “I kind of love her”
In Round House Theatre's "The Legend of Georgia McBride," Rick Hammerly plays "a fixer" in high heels and a wig
-
Stage Review: “Camelot” at Shakespeare Theatre
Camelot is an intriguing, well-acted philosophical drama inflamed by lust and betrayal. (Pity about those songs, though.)
-
Stage Review: “Saint Joan” at Folger Theatre
Bedlam's Saint Joan is lovingly produced but demands the patience of a saint
-
Stage Reviews: Parlor Room’s “Burst” and Olney’s “The Invisible Hand”
Siblings squabble in touching drama "Burst," while "The Invisible Hand" hangs an overwrought narrative on a solid hook
-
Helen Hayes Awards 2018: GALA’s “In the Heights” takes home nine awards
"Twelfth Night," "Hooded, Or Being Black for Dummies" and "Fun Home" among other winners
-
Single Carrot Theatre’s “Peter Pan” incorporates “a bunch of different queer narratives”
Baltimore theater presents a new adaptation of Peter Pan developed with the local LGBTQ community
-
Stage Reviews: “Girlfriend” at Signature and “Vietgone” at Studio
Matthew Sweet's Girlfriend taps fully into a '90s pop sensibility, while Vietgone deploys a '70s groove
