As sassy, Southern housewife Dixie Longate, actor Kris Andersson has been singing the praises of Tupperware for years
Rife with sensuality, song, and message, Signature's "Hair" is performed by an ensemble nothing short of glorious.
Drag theater troupe Highball Productions gets ready to premiere "Shecago," its latest "live drag musical" at JR.'s Bar & Grill.
A queer writer-performer seeks common ground with his traditional Pakistani mom in Adil Mansoor's engaging "Amm(i)gone."
From behind the curtain, Tobias A. Young takes center stage as the voice of Audrey II in Ford's "Little Shop of Horrors."
Rorschach’s thought-provoking trip to "Human Museum" plays a chilling sci-fi premise primarily for laughs.
The Shakespeare offers an alchemy of cast, style, vision, and a chance to see Ralph Fiennes embody a consummate Macbeth.
Arena's new musical "Unknown Soldier" excavates memory and history to poignantly portray a love gone but not forgotten.
The director, who is committed to showcasing 'Black joy,' helms a new production of the Pulitzer-winner at Baltimore Center Stage.
The impressive qualities of "Nancy" add up to only a mildly satisfying whole for Mosaic Theater's world-premiere satire.
Anchored by Michael Russotto’s passionate lead performance, "The Nance" renders a bountiful, bittersweet ode to burlesque.
From a Macbeth starring Ralph Fiennes to an unabashed Hair at Signature, the spring season on D.C.-area stages is as vibrant as ever.
Eddie Izzard portrays an astounding 23 characters in a mightily impressive, one-person "Hamlet."
Company XIV pulls out the stops with "Queen of Hearts," a bawdy and brilliant adult riff on "Alice in Wonderland."
Michael Shayan pays tribute to his larger-than-life Iranian-Jewish mother in "Avaaz" at the Olney Theatre Center.