Stage
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Review: Studio’s “Skeleton Crew”
Skeleton Crew hits home with Heartland struggle and copious laughs
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TheatreWeek: D.C. stages — September 19-October 1
Over two dozen theater companies offer discounts for current productions
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Review: Miche Braden shines in Mosaic’s “The Devil’s Music”
Miche Braden brings blues singer Bessie Smith to magnificent, powerful life in Mosaic's The Devil's Music.
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Review: Signature Theatre’s “A Little Night Music”
Love is in the air in Signature's graceful, elegant production of Sondheim's A Little Night Music.
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Review: MetroStage’s “The Wizard of Hip” is energetic but dated
The Wizard of Hip feels dated, but the exuberant Thomas W. Jones II and his reliable Lady Doo-Wops put on a good show
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Arena Stage’s Community Day & Costume Sale is Saturday, Aug. 26
Arena Stage's Mead Center complex hosts an afternoon of free performances, a sale of costumes fit for Halloween, and accessories from previous shows
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Faran Tahir on playing Shakespeare’s Othello
Othello's Faran Tahir promises a fresh take on Shakespeare's timely drama of jealousy, bigotry, and violence
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Tall Tales: Big Fish at Keegan Theatre (review)
Held together by a touching story and a charming lead, Keegan's Big Fish stays afloat -- but just barely.
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Olney’s “Thurgood” explores the history of the Supreme Court’s first African-American justice
Walter Dallas directs Brian Anthony Wilson in a one-man show
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Cabaret at Kennedy Center offers a searing, sexualized production
The current tour of the iconic musical has kink to spare and reinstates a vital narrative cut from the movie
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Review: The King and I at Kennedy Center
Gorgeous to behold, and as old-fashioned as they come, The King and I dances into the Kennedy Center
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Review: “Wig Out!” at Studio Theatre
A glimpse into drag ball culture, Wig Out! never stops serving glamour, fashion, sexiness, humor, and insight
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Review: “Cabaret” at the Kennedy Center
Roundabout's Cabaret sizzles with sexuality, though it lacks a truly galvanizing Emcee or Sally Bowles
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Synetic Theater’s next production is a “wordless Bible” series
With "Mark of Cain," the movement-driven Synetic pushes theatrical boundaries further than ever before
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Kinsey Sicks’ “Things You Shouldn’t Say” hilariously deconstructs the Trump era
The Kinsey Sicks are back, singing things that would make a Jewish mother turn borscht red
