Stage
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Review: Constellation Theatre’s “The Wild Party”
The music and dancing delight, but the leads don't quite deliver in Constellation's The Wild Party
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Review: Arena’s “Native Gardens” humorously tackles race, class and diversity
Karen Zacarias' Native Gardens offers a funny, D.C.-specific look at race and class in America
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Reviews: Everyman’s “M. Butterfly” and Factory 449’s “Lela & Co.”
M. Butterfly soars on its lead's performance, while Lela & Co. offers a harrowing wartime tale
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Review: Woolly Mammoth’s The Arsonists
"The Arsonists" is a provocative, humorous allegory for our modern political times
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Stage: Fall Arts Preview 2017
Every play, musical and performance on stages around D.C. this fall!
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Review: GALA’s “Don Juan Tenorio” offers glimmers of brilliance
GALA Hispanic Theatre's Don Juan Tenorio seduces, but doesn't fully satisfy
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Review: Studio’s “Skeleton Crew”
Skeleton Crew hits home with Heartland struggle and copious laughs
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TheatreWeek: D.C. stages — September 19-October 1
Over two dozen theater companies offer discounts for current productions
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Review: Miche Braden shines in Mosaic’s “The Devil’s Music”
Miche Braden brings blues singer Bessie Smith to magnificent, powerful life in Mosaic's The Devil's Music.
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Review: Signature Theatre’s “A Little Night Music”
Love is in the air in Signature's graceful, elegant production of Sondheim's A Little Night Music.
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Review: MetroStage’s “The Wizard of Hip” is energetic but dated
The Wizard of Hip feels dated, but the exuberant Thomas W. Jones II and his reliable Lady Doo-Wops put on a good show
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Arena Stage’s Community Day & Costume Sale is Saturday, Aug. 26
Arena Stage's Mead Center complex hosts an afternoon of free performances, a sale of costumes fit for Halloween, and accessories from previous shows
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Faran Tahir on playing Shakespeare’s Othello
Othello's Faran Tahir promises a fresh take on Shakespeare's timely drama of jealousy, bigotry, and violence
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Tall Tales: Big Fish at Keegan Theatre (review)
Held together by a touching story and a charming lead, Keegan's Big Fish stays afloat -- but just barely.
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Olney’s “Thurgood” explores the history of the Supreme Court’s first African-American justice
Walter Dallas directs Brian Anthony Wilson in a one-man show
